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Premiere: i.am.orange Releases Latest Hypnotic Alt-Indie Single “Cool As Me”

Alt-Indie singer-songwriter Spencer Kumdis, better known as i.am.orange, releases his latest project, a mysteriously beautiful song titled “Cool As Me.” The eclectic artist talks about a relationship that seems to have ended, and the feelings of loneliness that he is going through in this post-break up phase. I.am.orange is all but your usual artist. He has channeled his imagination into creating a fictional character that fully embodies his originality, i.am.orange, described as follows: 

 “He was born with no face and orange skin in the dead cold of 1998’s winter. His mother wanted to peel him like an orange, and everything in Spencer’s life has led up until this very moment. He likes to scream loudly, fantasizes about a day where nobody has a face and everyone has orange skin. Sometimes, Spencer will bang his head against the wall REALLY HARD. 

Spencer REFUSES to drink water, even in the shower, and he has never eaten anything larger than the size of his fist (watermelons, carrots, sponge cake, etc) Spencer was born with glass orange bones and orange paper skin. Every morning, he breaks his legs, and every afternoon, he breaks my arms. At night, he lies awake in agony until his heart attacks put him to sleep. Spencer LOVES PRINCE, and has never left his 20 acre yard/house. Never once.”

Despite his eccentric character, i.am.orange’s highly perfected musicianship and sense of poetry are powerfully present on “Cool As Me,” distilling some of the most interesting sonic energies we have heard in a long while. This might very well explain why his impressive following is so loyal and growing by the day in terms of numbers of listeners, with a million monthly listeners on Spotify alone.  

Dive into the unusually beautiful “Cool As Me” below, and follow i.am.orange on Instagram

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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