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Premiere: Noire Velours Reveals Her Incredible Talent To The World | “Full Of Myself”

We have the distinct pleasure to announce the premiere of “Full Of Myself” by Christelle Houefa Anoumou, better known as Noire Velours, an extremely talented singer-songwriter from Togo and Benin. The 26 year old is making a powerful entry in the game with this new music video, in which she is portrayed as a gang leader, a rare occurrence for women, and a symbol of her strong personality.  

“Coz ‘ you are on my way, on my way – Watch out, watch out, – Coz’ you are on my way, on my way – You better, you better, you better do it my way, on my way – Let me teach you, you gonna love my way, you gonna love my way” is the confident chorus of “Full Of Myself,” and as Noire Velours layers her beautiful vocal talent, she simultaneously makes sure that her words, thoughts, and actions are respected and valued the way they should by everyone, including men. 

Soulful and groovy rhythms paired with soothing R&B tones and African-inspired sonic textures come together in pure harmony to highlight and shed the spotlight on this emerging music queen’s unbelievable voice and tranquil energy. 

A major release, “Full Of Myself” will undoubtedly seduce its audience, and cement the rise of one the most interesting and talented artists of her genre and beyond.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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