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Princess Love takes control by representing herself in divorce court as she moves on from Ray J

HonkMagazine

Reality TV star and entrepreneur Princess Love is entering a new chapter in her life. In a surprising decision, she has chosen to handle her divorce from Ray J, marking a significant step in their long and complicated relationship. During an interview on The Morning Hustle Show, Princess shared that her challenging journey with Ray J is nearing its end, with the final divorce papers expected to be signed soon. She conveyed a sense of closure, stating simply, “I’m done.” While their marriage is ending, Princess still thinks of Ray J as a friend and believes that, despite the lingering affection, they are better off apart.

Princess Love gained fame on the show Love & Hip Hop Hollywood, where her relationship with Ray J was frequently spotlighted with dramatic breakups and reconciliations that kept viewers hooked. Beyond the reality show, she has successfully built her own brand in fashion and beauty, showing that she is more than just a TV personality. In a bold move, Princess decided to part ways with her lawyer after they disagreed over the divorce terms she wanted. Instead of prolonging the legal process, she took charge and decided to navigate the situation independently.

Although she still has feelings for Ray J, Princess has acknowledged that their lifestyles were often mismatched. She realized she was compromising in ways that weren’t true to herself. As she prepares to finalize the divorce, it’s evident that Princess Love is reclaiming her power. Her tumultuous past no longer defines her and is taking control of her life story, showing that the most empowering journey is the one you create for yourself. With this newfound freedom, fans are excited to see what’s next for this savvy businesswoman.

Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.

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Artist Spotlight

“NO MORE” by Amanda Holley connects healing, awakening, and survival

Amanda Holley

“NO MORE carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.

“NO MORE is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.

Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.

“NO MORE is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.

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Photo Credit: Yulia Shusharina

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