Story
R. Kelly Denied Release After Being Beaten Up
R. Kelly was beaten up by a fellow inmate following a string of jailhouse shutdowns, which were due to Kelly’s fans protesting outside the Chicago MCC. According to Kelly’s attorney, every time a group of demonstrators gathers outside the jail to call for the disgraced singer’s release, operations are shut down on the inside, including showers and more. For that reason, one man was frustrated enough that he decided to take matters into his own hands.
As he was sleeping in his cell with earbuds in and a blanket over his head, one of Kelly’s fellow inmates barged into his cell and started stomping on his face. According to Kelly’s legal team, guards did not break up the attack until well after it began, which sparked their latest attempt to free the accused child pornographer and sex trafficker.
Kelly reportedly had asked the court to reconsider letting him out as he awaits his trials in Illinois and New York but, unfortunately for him, he was denied again.

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“While this incident is concerning, it does not warrant immediate release,” Judge Harry D. Leinenweber wrote in his ruling on Monday, according to NY Daily News. “This single isolated incident does not suggest that the Bureau of Prisons is incapable of safely housing Mr. Kelly. The inmate involved in the incident with Mr. Kelly has since been transferred to a different facility. In any event, release from custody is not the appropriate remedy for such a wrong. If Mr. Kelly wishes to challenge the conditions of his confinement or the MCC’s ability to protect him, he can bring those claims in a separate civil action following proper exhaustion of administrative remedies.”
The Judge continues to view Kelly as a danger to his community, and as a flight risk.
Artist Spotlight
Billy Chuck Da Goat finds his flow on new release “Vibez”
Billy Chuck Da Goat’s latest release, “Vibez,” has a laid-back, hypnotic bounce that makes it easy to listen to without ever feeling empty. It makes a place where calmness and quiet confidence come together.
“Vibez” was made on purpose, but it also sounds simple. Billy Chuck’s smooth delivery flows through the production without rushing or pushing anything. Instead, he lets the rhythm breathe, allowing people to get into the song at their own pace. This laid-back energy is the best part of the song, nothing feels forced, which is exactly what it’s trying to do.
The track changes to fit whatever you need it for, like a late-night drive, a focused workout, or a way to unwind after a long day. It has a quiet edge of confidence, it’s not loud or bragging, but it’s steady and sure of itself.
Connect with Billy Chuck Da Goat on Spotify || Instagram || Facebook || Youtube
Story
François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”
François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.
François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.
The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.
“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.
Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud
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