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Artist Spotlight

Remy Ma’s Onstage Moment Has Fans Speculating About Papoose and Claressa Shields Drama

HonkMagazine

Remy Ma is not one to shy away from what’s on her mind, and her recent performance was a testament to that. The Bronx rap legend joined forces with Trey Songz and Connie Diiamond for a high-energy performance of their “Ghetto & Ratchet (Remix)” on Thursday night. But it wasn’t only the high-energy delivery that was making mouths move in the crowd, it was one specific lyric that has the internet buzzing. Remy Ma says in the OG song, “Fk wantin’ ya na, I take him.” * But she added a little more bite to her latest performance, audaciously changing it up to, “If I want ya n**a, I’ll take him.” *

The energy instantly shifted in the room as soon as those words slipped from her lips, and fans were left wondering. Rumors and speculation about infidelity have surrounded it for months as the couple’s relationship came under public scrutiny. Although nothing has been officially confirmed, the tension has been impossible to miss. And now, with this lyric change, plenty of fans are convinced Remy Ma is doing just that. The reactions poured in on social media. Some fans were quick to read between the lines, interpreting the lyric as an obvious shot.

“Y’all know that was the line in that song right 👀,” wrote one user, while others directly questioned the intention of the performance. On the contrary, there are also some who couldn’t help but root her on, praising the confidence and fearlessness that Remy Ma displayed on stage. However, the biggest takeaway, perhaps, is that Remy Ma is still committed to her brash persona. Be it back through barb-laden lyrics or just the commanding way she runs a crowd, she knows how to seize a moment. Remy Ma ain’t losing her status as one of hip-hop’s wildest mouths.

Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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