Music
Richard Daigle’s “I Still Say We” captures love, loss, and lingering echoes of ‘Us’
Richard Daigle’s new single, “I Still Say We,” beautifully explores themes of love and loss. It reflects on how the memories of loved ones can linger in our hearts and minds, even after they are gone. The song was inspired by Daigle’s own experience after losing his wife to cancer. He found himself saying “we’ll be there” when responding to invites, even though he was now attending alone.
This simple yet powerful realization led to the song’s touching refrain, “I still say we, when it’s only me.” “I Still Say We” tells a story about the struggle between holding onto the past and moving forward with life. The melody flows naturally with the lyrics, creating a personal and relatable feeling for anyone who has experienced love and loss. The story in the song may be fictional, but the emotions are very real. It portrays a character finding strength in his new situation, recognizing that some things will always feel incomplete even as life changes.
While the song acknowledges sadness, it also highlights love’s enduring impact, wrapped in a hopeful and bittersweet message. Since he began writing songs to cope with his grief, his work has connected deeply with those who have faced similar feelings. “I Still Say We” is a remarkable example of how individual experiences can resonate widely, touching the hearts of many.
Artist Spotlight
Fanny Alexandra explores emotional recovery and self-discovery on “Ceasefire”
Not every fight ends a relationship, and there could be long-term emotional damage, with questions about identity, attachment, and the difficult path to moving on. “Ceasefire” is a ghostly alternative rock ballad in which Fanny Alexandra navigates difficult terrain, exploring emotional dependency and the search for selfhood after a toxic relationship.
“Ceasefire” is full of sad melodies and hints of atmospheric rock, making it a dark, cinematic listen. The song’s alt-rock pivot provides an emotionally charged foundation, and it’s about the internal battle, especially when your identity has been so tied to another person.
Fanny Alexandra’s ethereal vocal approach suits the song, lending real emotional weight to the exploration of self-loss and internal tension. “Ceasefire” is a reflective track, with atmospheric instrumentation and deeply personal songwriting that capture feelings that can linger long after a tough chapter closes.
It’s about finding yourself again, and its emotional arc moves from openness and dependence to the hard-earned discovery that personal freedom is more than just walking away. Fanny Alexandra’s love for dark, emotional alternative music inspired “Ceasefire.” Her art is about intimate storytelling, cinematic atmosphere, and making music that explores the quieter struggles people tend to keep inside. In this record, she turns the fallout from a toxic relationship into a meditative reflection on the long road to selfhood.
Artist Spotlight
Stephani Ezatoff honors Elvis Presley’s legacy on powerful new single “Run On”
Gospel-rooted music carries emotional weight, especially when it explores the tension between faith, love, and accountability. With “Run On,“ Stephani Ezatoff combines these into a rock version of Elvis Presley’s famous 1967 version of the traditional African American gospel hymn.
Ezatoff doesn’t simply retrace history but surrounds it with a unique atmosphere of powerful vocals and an ever-intensifying arrangement. The single was recorded at the legendary Sound Shop Studio on Music Row in Nashville and has an interesting connection to Elvis Presley’s own recording history. The studio session was located a stone’s throw from RCA’s Studio B, where Elvis recorded his own version of the hymn.
This adds another layer of meaning to an already meaningful release, placing Ezatoff’s take within Nashville’s musical heritage. Aaron Minick’s arrangement plays on the contrast between divine love and judgment, which is central to the track’s identity. The production builds slowly, and the song becomes a dramatic, cinematic experience. Ezatoff also makes a unique contribution by singing all the vocals herself.
The story of how the recording was made adds to the poignancy of “Run On.” This is one of the last releases made at Sound Shop Studio, which hosted artists like Dolly Parton and Brenda Lee, but closed for good just days after the session. For Stephani Ezatoff, “Run On“ is a vital link between generations of musicians preserved in a recording that’s a piece of Nashville history.
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