Music
Rico Nasty Is A Destructive Force In Her Defiant ‘Oh Fr?’ Video
Rico Nasty detailed the creation of her album ‘Nightmare Vacation’ with Zane Lowe as she debuted the project’s latest single. …
Now that Rico Nasty‘s debut album Nightmare Vacation has an official release date, she and her team have turned the dial on the album’s promotion up to full. Following up “Don’t Like Me” with Don Toliver and Gucci Mane, Rico shared her latest single, “Oh Fr?,” debuting the new track on Apple Music Radio.
Of the new track, Rico told Apple Music’s Zane Lowe working with 100 Gecs again was “so natural… As soon as I heard the beat, I heard eight seconds and I just went right in there. Just like the other ones. I love it.” She also credited her A&R with introducing her to the genre-bending duo, saying, “I heard about 100 Gecs from my A&R. I’m always asking him to put me on to weird sounding sh-t. I was looking for something. I like ear orgasms. I like stuff that might be normal to another person to listen to, but it just tickles my fancy.”
She also revealed more about the process of making Nightmare Vacation while in quarantine. “I had my ego shot down a little bit by quarantine and just by growing up in general,” she said. “I just think this whole project, it was made during the time where this is probably the first time in my life where I wasn’t on ’10,’ as far as confidence. Within myself, my personal life, normally everything’s great. And making this album just started getting real tricky balancing life.”
“That’s why I named it Nightmare Vacation because all the sh*t that I was scared of at one point, scared to do and scared to say, it just became my second nature,” she elaborated. “I want to say that sh*t, I don’t care if I hurt somebody’s feelings. I’m going to wear it. I don’t care if I get dirty looks. Just et cetera, et cetera, it goes on and on. Nightmare Vacation is really just about being yourself, your truest self, going through things that people tell you you can’t get out of and getting out of them, coming out a rockstar.”
Nightmare Vacation is due 12/4 via Atlantic Recordings.
Rico Nasty is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
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Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”
At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.
“Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.
Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.
Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.
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Indie
“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question
The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.
What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.
Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.
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