Music
Robin Pecknold Says His ‘Casual Friend’ Post Malone Almost Featured On The New Fleet Foxes Album
Getty Image ‘By some glitch in the Matrix, we have a casual friendship.’ …
While most of Post Malone’s material runs in hip-hop and pop circles, he has long been public about his love for indie and folk music. So, it’s only kind of surprising to learn that he and Fleet Foxes leader Robin Pecknold are friends and that Posty almost appeared on the band’s latest album, Shore.
Speaking to Bryce Segall on Radio.com’s New Arrivals show, Pecknold revealed that bit of trivia, saying that the timing didn’t work out for Malone to guest on the album: “He came by the studio for one day while we were working in LA and listened to stuff and was super supportive. We didn’t get together in time because I wanted to get the album out quickly, but I did ask him to be on it. He was down but we just didn’t end up having time.”
Pecknold also spoke about about his relationship with Malone, calling it a “casual friendship” by which he is blown away:
“He’ll text me every once in a while and it’s always a really fun thing to receive. To have that pop up in my iMessages, it always feels like a glitch in the Matrix or something. […] He’s a super sweet guy, he’s a real gentleman, and he’s probably the best melody writer in the business right now, I think. And by some glitch in the Matrix, we have a casual friendship.”
Malone’s Twitter followers know that he has been a big Fleet Foxes fan for years. He has tweeted about them on multiple occasions, like when he wrote in April 2015, “if you don’t like flee foxes then f*ck you.” That October, he added, “fleet foxes is the only group that i love every single song of,” and he also tweeted in December 2016, “please….. if you haven’t listened to any fleet or FJM i don’t know if i can talk to you.” There’s also this clip of him singing along to “The Shrine/An Argument” last year:
if you don't like flee foxes then fuck you
— Posty (@PostMalone) April 19, 2015
but back to what i said last night. fleet foxes is the only group that i love every single song of.
— Posty (@PostMalone) October 6, 2015
please….. if you haven't listened to any fleet or FJM i don't know if i can talk to you
— Posty (@PostMalone) December 30, 2016
Listen to the full interview here and revisit our own interview with Pecknold here.
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Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”
At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.
“Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.
Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.
Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.
For more information about Sadie Brown, please visit [website].
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Indie
“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question
The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.
What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.
Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.
CLICK HERE TO STREAM Tom Minor’s “Is Everything Okay?“ on Spotify.
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