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Robin Pecknold Says His ‘Casual Friend’ Post Malone Almost Featured On The New Fleet Foxes Album

Getty Image ‘By some glitch in the Matrix, we have a casual friendship.’ …

While most of Post Malone’s material runs in hip-hop and pop circles, he has long been public about his love for indie and folk music. So, it’s only kind of surprising to learn that he and Fleet Foxes leader Robin Pecknold are friends and that Posty almost appeared on the band’s latest album, Shore.

Speaking to Bryce Segall on Radio.com’s New Arrivals show, Pecknold revealed that bit of trivia, saying that the timing didn’t work out for Malone to guest on the album: “He came by the studio for one day while we were working in LA and listened to stuff and was super supportive. We didn’t get together in time because I wanted to get the album out quickly, but I did ask him to be on it. He was down but we just didn’t end up having time.”

Pecknold also spoke about about his relationship with Malone, calling it a “casual friendship” by which he is blown away:

“He’ll text me every once in a while and it’s always a really fun thing to receive. To have that pop up in my iMessages, it always feels like a glitch in the Matrix or something. […] He’s a super sweet guy, he’s a real gentleman, and he’s probably the best melody writer in the business right now, I think. And by some glitch in the Matrix, we have a casual friendship.”

Malone’s Twitter followers know that he has been a big Fleet Foxes fan for years. He has tweeted about them on multiple occasions, like when he wrote in April 2015, “if you don’t like flee foxes then f*ck you.” That October, he added, “fleet foxes is the only group that i love every single song of,” and he also tweeted in December 2016, “please….. if you haven’t listened to any fleet or FJM i don’t know if i can talk to you.” There’s also this clip of him singing along to “The Shrine/An Argument” last year:

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Listen to the full interview here and revisit our own interview with Pecknold here.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

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This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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