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Rotana Shares a new single with visuals for “Twelve” – Music

Rotana - Twelve

Rotana - Twelve

Emerging singer-songwriter Rotana’s new single “Twelve” is a smooth mix of Pop and R&B. “Twelve” is the fourth single from Rotana’s upcoming project. It’s an emotional piano ballad with hypnotizing layers of electronic elementsstaccato percussion, droning synth, and vocal samples. Rotana likens her current journey of self-discovery to what life feels like when you’re 12 years old. She sings “last year sucked, I lost my best friend then I lost myself. Losing everything I thought I was, it’s like I was twelve.” 

The video portrays Rotana trying to mimic the choreography of a character on a tiny TV screen in the corner of an empty bedroom. This contrasts with a brief moment of Rotana letting loose and pouring out all of her emotions through her dancing. This transition represents her trying to be someone else and then trying to let go of that version of herself to become who she truly is. The director of the music video Corrin Evans explainedWorking with Rotana is a spiritual experience. She is a living reminder that artistry flows in a nebulous way that cannot always be traced back to an exact thought or an idea—it can’t be bridled or pinpointed”.

Listen and Watch Rotana – Twelve Music Video

What do you think about Rotana – Twelve new single and visual? We recommend you drop a comment on Honk Magazine for more updates. 🙂

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Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

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Artist Spotlight

Great Adamz delivers a sensual yet mesmerizing afrobeat groove with his recent single, “Fantastic”

Great Adamz

Great Adamz is back, and he’s bringing the heat with his latest single, “Fantastic.” A masterclass in smooth, melodic Afrobeats, this track features an intoxicating blend of sultry rhythms and dreamy synths that draw listeners in from the first note.

The Nigerian-born, UK-based star has been making serious waves in the UK music scene, and “Fantastic” is another undeniable step toward the top. His signature ethereal vocals float effortlessly over a laid-back yet pulsating beat, creating an atmosphere that’s equal parts hypnotic and exhilarating. The track captures the magnetic energy of erotic attraction, painting vivid imagery of a woman’s sensual body moves that speak louder than words, leaving an irresistible impression. Its lyricism takes audiences on an emotional ride, encouraging them to move, whether lost in a dimly lit club or vibing solo at home.

Coming off a strong 2024 with hits like ‘Talk To Me’ and ‘Kilon So,’ Great Adamz shows no signs of slowing down. His ability to fuse Afrobeat’s infectious grooves with a modern, international appeal is impressive. With “Fantastic,” he delivers a seductive, feel-good anthem primed to set dance floors ablaze and solidify his status as one of the UK’s most exciting rising stars. If this is how he’s starting 2025, taking it by storm, we can’t wait to see what he has in store next, and this new release, as the title suggests, is absolutely fantastic, further proving he is here to stay.

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CLICK HERE TO STREAM Great Adamz’s Fantastic on Spotify.
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Artist Spotlight

Suge Knight Calls Out Kanye West Over Offensive Comments on Carter Twins

HonkMagazine

Suge Knight is known for speaking his mind, and in a recent interview on a show called Art of Dialogue, he shared strong opinions about Kanye West’s recent behavior. Kanye, who is often in the spotlight for his controversial actions, made headlines after insulting Jay-Z and Beyoncé’s children in a tweet. Suge found this particularly unacceptable. “I need to talk to Kanye,” Suge said, clearly upset. “We should never disrespect anyone’s kids.” He was disturbed by Kanye calling the Carter twins a hurtful name, emphasizing that this kind of behavior is unacceptable in both hip-hop and society in general.

“You don’t talk about Jay and Beyoncé’s kids and call them names. That’s crossing the line.” For Suge Knight, this isn’t just about one tweet, it’s about a larger issue. He feels that such hurtful comments not only impact the people involved but also reflect poorly on hip-hop and Black culture as a whole. “I expect more from people in hip-hop and our community,” he stated. “We’ve come a long way, and we should stand up for each other, especially when it comes to protecting kids and those who are vulnerable.”

This isn’t the first time Kanye has faced backlash for his controversial remarks, but Suge clarifies that calling out children is where he draws the line. “That’s not funny to me, not at all,” he remarked, suggesting that there should be real consequences for Kanye’s words. “He needs an old-fashioned lesson.” Suge Knight’s comments remind us that, regardless of how famous an artist is, there are still moral limits that shouldn’t be crossed, especially when it comes to children. His call for accountability sends a strong message to Kanye West and anyone else who might think it’s acceptable to attack innocent kids in the hip-hop world.

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