Artist Spotlight
Sandra Mae Lux sparks warm joyride with “Are We Having Fun”
Sandra Mae Lux immortalizes music with her new single, “Are We Having Fun. ” It’s reflecting on where you’ve been and getting lost in a groove that is as thoughtful as needed. From the first note, “Are We Having Fun” has a satin, retro-find elegance. Lux floats her voice through a plush soundscape, seamlessly mixing funk, soul, and smooth jazz elements into something vintage and fresh.
There’s an understated elegance here, a melodic wink that every listener takes a moment and checks in with themselves. Are we having fun or just pretending to? Inspired by her love of storytelling, Lux gives the track genuine emotion. “I love songs that evoke something in me,” she explains, and that outlook is writ large on this record. The track unfolds almost cinematic-like Lux is multitasking, taking us through late-night city drives, wistful bops, and melancholic joy. It’s music for deep thinkers and dancers, too.
Her delivery is full of warmth, playfulness, power, balance, and restraint, showing that she knows when to hold back and allow herself to fly. Every lyric feels considered, ensconced in instrumentation that glitters with vintage delicacy Rhodes keys, silky basslines, and a rhythm section that knows it can sway without yelling. Yet its sincerity makes “Are We Having Fun” really shine. It’s a song that wants to be sung, which is why it resonates above all.
Sandra Mae Lux has created a song that poses a question and resonates in your mind long after the last note dies, gently nudging you to answer it for yourself. Whether cruising solo or dancing with someone you love, this song is your soundtrack to a joyful night of introspection.
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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