Music
Saweetie Explains Why She Told Women To Demand Birkin Bags From Their Men
Getty Image After being accused of materialism, Saweetie confronts ‘the discourse’ head-on. …
Since becoming an official couple Saweetie and Quavo became a couple sometime in 2018, they’ve been many music fans’ prime example of “couple goals.” However, while their cutesy flirtation has set a trend or two, Saweetie’s high standards for their relationship became a hot topic of debate on Twitter when video from an Instagram Live in which she seemingly advises women to expect expensive accessories from their men went viral. In a new interview with Essence‘s Girls United, Saweetie addresses the resulting backlash and clarifies what she really meant.
In the original video, Saweetie counseled, “If he not getting you a Birkin, if he not paying for your bills, then throw that n**** back to the streets, okay?” Quavo, present in the background, simply shrugs in agreement. The flippant remark doubled as promotion for Saweetie’s anticipated single “Back To The Streets” with Jhene Aiko. However, rather than interpreting this advice for their individual circumstances, some fans instead took it literally, using it as “evidence” of an increasing sentiment of materialism in hip-hop — especially among women. Others thought it was a wasteful expenditure, telling anyone who would listen they should instead invest in assets like land and/or businesses.
Saweetie says if he can’t buy you a Birkin, you don’t need him, sis pic.twitter.com/3qTA6svZQ5
— The Shade Room (@TheShadeRoomEnt) October 23, 2020
However, in her Girls United interview, she makes clear that the costly Hermés purse (which can run a purchaser anywhere from a few grand to almost half-a-million dollars, according to Google Shopping) was only an example and she wasn’t recommending only dated exorbitantly rich men. “Let’s talk about the discourse,” she jokes. “For me, a Birkin is symbolic of a gift. So to people coming in, talking about ‘Oh, I’m going to get my girl property,’ why don’t you get her property and a Birkin. My sentiments behind that were just, you know, spoil your girl. Spoil her with your loyalty, your energy, and how you treat her.”
Of course, for Quavo, one of the higher-paid entertainers in hip-hop thanks to lucrative business deals with brands like Boohoo, Doritos, Lids, and Martell, that advice really was literal. In July, a video of Saweetie dropping into a split after he gave her not one but two Birkin bags for her birthday similarly went viral, prompting even more fans to declare the two couple goals.
Saweetie is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
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Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”
At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.
“Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.
Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.
Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.
For more information about Sadie Brown, please visit [website].
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Indie
“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question
The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.
What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.
Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.
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