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Sean Paul Alludes JAY-Z’s Jealousy Is The Reason He Rarely Performed ‘Baby Boy’ With Beyoncé
Sean Paul’s 2003 collaboration with Beyoncé was a massive hit and is a fan-favorite even two decades later. But the iconic International artist recently opened up about his gripes with the…
Sean Paul’s 2003 collaboration with Beyoncé was a massive hit and is a fan-favorite even two decades later.
But the iconic International artist recently opened up about his gripes with the collab.
Apparently the singer’s then-boyfriend, JAY-Z is the reason they rarely perform the song together.
“Yuh si weh you seh? You neva feel comfortable. Me neva feel comfortable needa, but mi jus use my diplomacy all di while an guh roun any likkle obstacle weh me have inna life,” said Paul.
The host of the Too Live Crew, Action & the Burgerman radio show added that the Brooklyn rapper was jealous and didn’t want them spending too much time together.
“Yes, to me that was something that was apparent at the time,” he said, adding, “Wi know that artistry is artistry suh a nuh every time dem ting deh gwan.”
Bun B had a similar experience following his collaboration with Beyoncé and Slim Thug, “Check On It.”
“This is in New York. So we’re on the set and we’re filming the video, and if you look at the video, there’s a lot of kind of skimpy outfits. Queenie is there also, so it’s not like I’m there salivating over another woman,” Bun says, referencing his wife’s presence at the shoot. “But we’re like, ‘Whoa, this is crazy. Beyoncé’s dancing in this short skirt and she’s dancing in like a bikini,’ type of thing, you know.”
The Trill OG began setting up the vibes on set of the Hype Williams-directed video. “While all of this was happening, I think this is the scene with the chair, so it’s like her and several other girls and they all have these short skirts on and they’re all dancing seductively on the chair. They’ve got a leg up on the chair so you can kind of see some thigh and maybe a little bit of butt if you’re staring hard enough, and Jay-Z calls and talks to one of her assistants,” Bun continues. “If I had to guess it would’ve been her cousin Angie that he would’ve talked to because Angie has always been a right hand to Beyoncé. He’s like, ‘Yeah how’s the video going, what’s going good, are the guys there?’ All the guys that are with us are the only men there. Well, let me say this: there were other men there, but they weren’t straight.”
The racy scene prompted Hov to protect his then-girlfriend and have all the men cleared out of the room. “So they immediately come over to us and they kick all of us out to our dressing rooms and we’re told to stay there until we have to shoot. We’re not allowed to watch Beyoncé dance anymore,” Bun says.
Bun B says Beyonce eventually came over to them to apologize and explain what happened. ‘I’m so sorry you guys had to leave the room but Jay’s not comfortable,’” Bun recalls her saying. “And we’re all like, ‘We understand fully, that’s no problem, we’re happy to be here.’”
The post Sean Paul Alludes JAY-Z’s Jealousy Is The Reason He Rarely Performed ‘Baby Boy’ With Beyoncé appeared first on The Source.
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Carmen Bryan’s Cryptic Post Stirs the Pot in Jay-Z Controversy
The hip-hop industry currently faces substantial controversy as Jay-Z finds himself in the eye of a storm. Allegations of sexual assault stemming from a 2000 afterparty involving the illustrious rap mogul and disgraced music executive Diddy have ignited fierce public debate. While Jay-Z categorically denies the accusations and expresses his intent to contest the lawsuit, the court of public sentiment appears to have already rendered its verdict. Further complicating this turmoil is the involvement of Carmen Bryan, a name from Jay’s contentious history, which has added a chilling layer to the evolving situation.
Carmen Bryan, recognized for her decade-long affair with the Brooklyn rapper, recently took to Instagram with a cryptic yet pointed post. Although she refrained from naming anyone directly, Bryan suggested that loyalty often supersedes ethical morality in cases involving influential individuals. “These days, people don’t defend what is right; they defend who they like,” she wrote. Her parting shot, “And that’s why we call you a groupie,” felt like a verbal mic drop, leaving little doubt about who her words targeted.
The intrigue didn’t stop there. Bryan shared a snapshot of Jay-Z’s lyrics from his 2010 track “Monster,” honing in on a particularly unsettling line: “Kill a block, I murder the avenues, I rape and pillage your village, women and children.” Though these lyrics were part of a more extensive metaphorical verse showcasing a “monster” persona, their resurfacing in this context feels calculated and ominous.
Bryan is no stranger to controversy, having previously aired her grievances toward Jay-Z. In her 2006 memoir, It’s No Secret: From Nas to Jay-Z, Seduction to Scandal, she detailed their affair and its tumultuous fallout. Additionally, she revealed in a 2017 interview that she had been pregnant with Jay-Z’s child, only to suffer a miscarriage. The relationship, fraught with personal and public conflict, remains a blemish on Jay-Z’s meticulously crafted, otherwise carefully curated narrative. Carmen Bryan’s multifaceted approach raises pertinent questions: Is she simply sharing her perspective on morality in the industry, or does she possess additional undisclosed knowledge?
While the allegations against Jay-Z are still under legal evaluation, Bryan’s Instagram post has reignited another dimension to the complex and polarizing discussions about power dynamics, accountability, and the ethical responsibilities of those influential individuals in the spotlight. Her courageous decision to use Jay-Z’s lyrics against him paints a stark picture that forces fans and critics alike to reckon with the blurred lines between art and reality.
As the legal proceedings involving Jay-Z progress, the public remains split amid this developing saga. While Jay-Z’s peers have predominantly expressed skepticism toward the allegations, the enduring legacy of this iconic figure hangs in precarious balance, with shadows from the past casting long and potentially damning silhouettes.
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Jay-Z Engrossed in Fresh Allegations as Tony Buzbee Claims More Victims
In a stunning twist to an already high-stakes legal dispute unfolding with the intensity of a Hollywood thriller, Jay-Z, one of music’s most preeminent figures, finds himself at the center of an explosive allegation involving minors. This drama stems from accusations brought forth by attorney Tony Buzbee and has escalated a conflict that began with a lawsuit over alleged extortion. Buzbee, who represents a woman accusing the music mogul of sexually assaulting her at the 2000 MTV VMAs afterparty, claims there are additional alleged victims, involving both male and female minors.
Jay-Z and his attorney, Alex Spiro, aren’t backing down. They have initiated a countersuit against Buzbee, vehemently denying the allegations and characterizing them as “entirely fabricated and malicious.” Spiro’s filing asserts that Buzbee’s accusations are part of a calculated scheme to tarnish the rapper’s reputation and coerce a settlement. “These baseless accusations are nothing more than a weapon in a calculated plot,” Spiro stated, doubling down on their stance that the allegations are devoid of any factual basis.
The case took another dramatic turn when the woman Buzbee represents amended her lawsuit against Diddy to include Jay-Z. The timing of the amendment and the salacious nature of the claims have fueled a media frenzy, leaving the hip-hop icon fighting a battle both in the courtroom and in the court of public opinion.
Late Sunday, Jay-Z fired back with a defiant statement on X (formerly Twitter). “What he had calculated was the nature of these allegations and the public scrutiny would make me want to settle,” he wrote. “No sir, it had the opposite effect! It made me want to expose you for the fraud you are in a VERY public fashion. So no, I will not give you ONE RED PENNY!!”
This case is now racing against the clock, with Jay-Z’s legal representatives seeking an emergency hearing to address the allegations. Their urgency stems from the relentless media coverage, which poses a substantial risk to the Roc Nation founder’s reputation. This matter extends beyond a mere legal confrontation; it encompasses significant implications beyond the courtroom, a fight for his legacy.
The stakes are exceptionally high. Legal counsel Buzbee hints at the potential existence of additional alleged victims, thereby intensifying the spotlight scrutiny placed on both parties involved. With careers, reputations, and justice on the line, this legal showdown is poised to become a critical juncture within the music and entertainment industry. For fans and observers alike, the unfolding circumstances prompt inquiries regarding the veracity of the claims and the tactical weaponization of reputation in the court of public discourse.
