Artist Spotlight
Séhkou brings endurance and spiritual rebirth into focus with latest release “John 11:38-44 (Lazarus)”
“John 11:38–44 (Lazarus)” opens with a cool hi-hat, thick kick, bass and lush synths from Séhkou, providing an atmospheric base that’s grounded from the jump. This is a gritty hip hop song rooted in scripture about perseverance, change and being called out of seasons that felt like the end. The Lazarus connection gives the story a unique spiritual heart but the message still feels timely.
The song’s refrain is “He kept goin’… not knowin’…” and is the core of the song and the theme of perseverance and providence. Séhkou does not narrate the biblical story, but rather employs its themes as a way of talking about survival and spiritual rebirth. The production gives the record room to breathe and the female vocals in the background provide another layer to the arrangement.
The album has an emotional punch, with the soulful vocals of Jamila Thompson offset by the gritty hip-hop base. That’s the balance of rhythm and soulful vocal presence and subject matter rooted in scripture that gives “John 11:38-44 (Lazarus)” its character. “It’s a song about moving on even if you don’t know where you’re going.”
Artist Spotlight
Keesha Blair offers a family legacy that has no price on latest release “The Inheritance”
In “The Inheritance,” Keesha Blair gives us a very human view of wealth that can’t be measured in dollars. The song is a meditation on the idea that some gifts are all the more precious with every blessing to another life, forging a reflective link between family, memory, and what is passed from one generation to the next. What touches one most is the sense that a heritage of priceless value is still flowing on.
The song’s story starts with Grandma’s passing and the lucidity it provided. And then Mama caught the same ancestral current and drove the idea home that each generation builds on the last. The song is not about inheritance in the sense of material things, but of intangible bequests that still affect lives.
The lush vocals are warm and friendly, with a clean production that emphasizes the main idea of ‘The Inheritance.’ There’s a thread of thankfulness that weaves its way through the song, especially in the thoughts of the continuation of families and the value of things that can’t be measured on a balance sheet. Keesha Blair transforms a very personal matter into a celebration of the enduring value of what one generation can give to the next.
Connect with Keesha Blair on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Bleak brings raw ’90s grit back to the surface with latest release “The Wave”
Bleak are back with “The Wave”, a comeback single that hits with the force of something that has been held back for far too long. Caleb’s track was written in 1994 and has a raw rock feel, driven by grinding guitars, purposeful energy, and a sound that suggests the Seattle scene without being a carbon copy. The guitar from the jump sets the track’s weight, and the clean chord progression provides a solid base for the arrangement.
There are two lead guitars, played by different guitarists, that give the song contrast and depth, and Middle Eastern melodic influence is worked into the riffs. Another high point is the drumming, which provides the drive that keeps the track moving without overwhelming its other elements. Another nice touch is the hi-hat work around the middle of the song. Lush guitar licks give the arrangement a little more texture.
Caleb’s vocals are urgent and strong, only adding to the lived-in character of the song. Bleak’s ‘The Wave’: The past built of bones comes back. Fifteen years in the shadows have given it enough character to stand on its own. It’s like raw, gritty rock and roll with no strings attached.
Connect with Bleak on Spotify || Instagram || Facebook || Youtube
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