Artist Spotlight

Sir Orfeo Released a New Track “Sometimes I See A Storm Come In”

Sir Orfeo has released a new single titled ‘Sometimes I See a Storm Come In,’ the new single from Sir Orfeo’s forthcoming EP Millefleur (out June 25th), lives up to its impressionistic title. A mini-orchestra of electronic sounds ebbs and flows against the backdrop of steady nylon-string guitar and soft singing. The song carries us through a warm musical landscape, familiar to the song-worlds of songwriter Max Wareham.

The darkly operatic ‘Storm’ began as a poem written on a train to Normandy. Says Wareham, “This song is told from the perspective of a prisoner who longs to see their love again. They pass their time by sitting and watching shutters move in the breeze, and name all the trees around them. They are a little bit proud of what has become their home, and hold onto the thought of their love returning to them. Ultimately it is unclear how much of the story is occurring only in the mind of the narrator.”

Through turns both eerie and warm, the song rolls along the expansive landscape, introducing new instruments and strange sounds as the journey continues, before the parts fade away one by one, leaving us where we began: the elemental, winding melody of Wareham’s guitar.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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