Music

Stunna Girl Survives Shocking Chest Shooting, Shares Harrowing Details on Instagram

Stunna Girl took to her Instagram Story to disclose that she was shot in the chest. The rapper shared a grisly clip showcasing her wound, followed by a detailed explanation of where the bullet struck. “It hit above my breast & went out my underpit,” she wrote, accompanied by a photo of a medical document confirming her injuries.

As of now, the details surrounding the incident remain unclear. The time of the shooting and the identity of the shooter are still unknown. Despite the mystery, fans have flooded Stunna Girl with messages of support, wishing her a speedy recovery. Encouragingly, she seems to be on the mend.

This distressing event comes on the heels of another troubling incident earlier this year. In April, during a performance in New York, a male fan slapped Stunna Girl’s butt, sparking an all-out brawl as her husband, RichMula500, immediately confronted the man. The altercation saw punches and chairs flying. Stunna Girl later addressed the situation on Instagram Live, revealing that the assailant had been boasting online about his actions.

“In reality, I really could have him in jail right now for sexual assault. But I ain’t even put bruh in jail,” she said. “And, um, not only that [but] he went on the internet, he DMed me like 50 times, popping it. Like, ‘Yeah b***h, I did this, I did that.’ He posted it. He posted captions, acting hard, saying what he did… Like, you can’t be a gangster, pervert, rat. Like, you gotta pick one.”

What do you think of Stunna Girl revealing that she was recently shot? Share your thoughts in the comments section down below, and keep an eye on Honk Magazine for more updates.

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Artist Spotlight

“Keep T Moving” shows Meas & Riddie’s fresh approach to house music

Meas & Riddie release their debut, “Keep T Moving,” a fusion of youthful vigor and classic electronic character. Meas & Riddie produced the track, and these two young artists have already built a clear connection with House music while still leaving room to experiment and make music on their own terms.

“Keep T Moving” is a powerful electronic and house record that speaks to the duo’s love of fusing old-school 909 sounds with more modern synths. This distinction gives the track its main artistic direction, fusing a familiar electronic base with a modern edge. Meas & Riddie see those influences as part of the sound they are beginning to make their own.

As their first independent Spotify release, “Keep T Moving” also captures the thrill of a beginning, of two young musicians stepping into the scene without putting unnecessary limits on where their sound can go. 17-year-old Riddie and 15-year-old Meas share an uncommon sense of youthful dedication on their debut release. Their age is part of the story, but more interesting is their willingness to explore on their own terms. “Keep T Moving” definitely sets the direction, but leaves plenty of room for Meas & Riddie to build on their sound with future releases.

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Artist Spotlight

Max Ceddo captures one-sided communication on latest release “So You Say”

Max Ceddo takes a frustrating one-sided conversation and makes it the centerpiece of “So You Say,” a song built around communication that never seems to go anywhere. It’s a relatable portrait of the frustration of constantly trying to engage another person in conversation, only to be met with little reciprocation.

The lyrics make that imbalance clear from the beginning, “All you seem ever to say is So you say.” Every time someone calls to talk to me, the narrator says, the other person listens and says nothing, and the narrator wonders why they even called. Even the greeting seems to be limited: “all you ever say is hi at the beginning.” The repetition signals a relationship caught in a frustrating pattern.

What gives “So You Say” its character is how directly it complains. There is no need to dress up the problem, one person wants communication, while the other seems unable or unwilling to give it. “You cant speak cause all you ever say is so you say” brings the idea back around, so the repetition is part of the message itself. Max Ceddo captures the weariness of talking when no one talks back.

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