Music
Sukihana Concludes Round Two In Her Battle Against Cupcakke With Her ‘Cupcakke Bummy’ Diss
The ATL rapper wasted no time with a response after Cupcakke dissed her for a second time with ‘The Gag Is.’ …
Sukihana and Cupcakke’s lyrical warfare has just finished its second round. Earlier, Cupcakke dropped the scathing “The Gag Is,” in which she made it quite clear that the two rappers won’t find peace any time soon. Now Sukihana has responded in kind. On “Cupcakke Bummy,” Sukihana pulls no punches, taking aim at her competition’s family, with disses against her mother and kids. She also addressed something Cupcakke had said in “The Gag Is,” in which she called out Cupcakke for having an OnlyFans account. Only issue? Cupcakke, she claimed she’s also a subscriber.
The battle between the two artists began with Cupcakke’s brutal remix of 50 Cent’s “How To Rob,” which she released on Wednesday and in which she also attacked Cardi B, City Girls, Chief Keef, DaBaby, Doja Cat, DreamDoll, Flo Milli, and others. A day later Sukihana became the first to take the bait, responding with “Rob Who.” Twenty-four hours after that, Cupcakke released “The Gag Is.” Based on these events, we can expect a response to “Cupucakke Bummy,” from Cupcakke herself, by Sunday.
You can hear “Cupcakke Bummy” in the video above.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Album Review
Brynja Rán finds clarity in complicated relationships on “Unblurred” [album]
It can be hard to see when a relationship no longer meets your emotional needs, especially when affection, uncertainty, and repeated disappointment are hard to untangle. “Unblurred,” an album built on the bedrock of emotional unavailability, recurring conflict, and the slow dawning that a relationship might need to end, is where Brynja Rán unpacks that difficult process.
The ten songs follow the arc of attachment and frustration, weaving together the story of someone trying to figure out what they deserve. The focus track, “Unblurred Lines,” hits on the album’s central concept. This is when the veils begin to fall, and the person is more ready to see the partner’s behavior for what it is. The song is musically rich, with an acoustic and electric guitar soundscape, synthesizers, bass guitar, drums, and additional instrumentation.
The surrounding songs view the same emotional landscape from different angles. “Cowboy Wannabe” explores a partner masking insecurity with a detached personality, and “Deja Vu” captures the frustration of arguments that go round and round without changing anything. “Adore” is about ignoring red flags when you’re that into something, and “Cherry” is about the temporary comfort of being in a relationship that just isn’t right.
The album opens up by looking at borders and the need for real connection. “Make Me Feel” is about wanting to be loved, and “Until” is about how long you should stay in the twilight zone. “Still Stuck Waiting” captures the frustration of waiting for communication and commitment. “Don’t You Leave” begins with fear of abandonment and moves toward healing, while “What Else” ends the record with emotional exhaustion and a desire to move on.
Rather than treating every experience as a one-off event, the tracklist of “Unblurred” attempts to create a single image of relationship troubles. With this release, Brynja Rán explores unhealthy patterns, boundaries, and getting the clarity to choose a different path.
Album Review
Legends of the Seven Golden Vampires explore healing and personal growth on “The Pumphouse of Broken Dreams” [album]
Albums often have a strong sense of identity, with songs linking to a broader emotional and musical direction. The nine-song album “The Pumphouse of Broken Dreams” by Legends of the Seven Golden Vampires, featuring Dutch vocalist Ilse Van Der Linden front and center, is more cohesive.
The band’s melodic psychedelic pop offers a welcome counterpoint to a project that explores recovery, longing, uncertainty, and personal growth. The tracklist is an emotional journey. “To Think, To Heal” starts with the idea of mental healing and moving on from the past. “Flying” is more of an escapist wish to escape the pressures of day-to-day life. “Come Home” is about finding comfort and belonging.
“Here I Am” is about self-awareness and openness. Together, these early songs form an album about finding stability and processing difficult experiences. The middle ground is more emotionally layered. “Hopelessly Devoted To You” is about being attached all the time, and “Lost & Burned” is about being worn out and the results of hard experiences. Then there is “In My Dreams,” which turns into memory and unfulfilled wishes. Later, “AIR” brings the need for freedom, air, space, and a new start.
It ends with “BLEND,” a combination of psychedelic, shoegaze, and electronic influences. The release also includes another visual element from Gareth Halliday, who also worked on Noel Gallagher’s High Flying Birds Who Built The Moon. “The Pumphouse of Broken Dreams” has softer vocals and a range of emotions. This album is deliberately constructed, moving from reflection to acceptance without losing the variety of experiences it tackles.
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