Music
Sukihana Fires Back At Cupcakke With The Defiant ‘Rob Who’
Suki drew the eyes and ears of fans online as the first to issue a response on record. …
Cupcakke’s fiery repurposing of 50 Cent’s breakout hit “How To Rob” has elicited its first on-record response. Sukihana, the Atlanta rapper who was co-signed by Cardi B in the “WAP” video and who just put out her debut project, Wolf Pussy, clapped back with the five-minute freestyle, “Rob Who?” The track has Sukihana’s name trending on Twitter, with the newcomer defiantly accepting the challenge and declaring, “Bring back the real rappers,” although she also makes clear that despite the vicious bars, “It’s all love tho.”
And that’s how you clear a bitch
— Suki Hana (@sukihanagoat) December 17, 2020
The track comes after Suki received her second major co-sign from an established predecessor in the form of Rico Nasty, who put her on the remix to the breakout hit “Smack A Bitch” from Rico’s debut album, Nightmare Vacation. Suki’s own breakout came a few years ago when she provided a filthy guest verse on Cuban Doll’s “Drug Dealer.” Prior to that, she was a cast member on Love & Hip Hop — the show that also launched Cardi B’s career — beginning with season three. On “Rob Who,” she unleashes a flurry of punchlines that cut down Cupcakke, including one that compares her to Vivian from the ’90s animated classic Bebe’s Kids (that’s who’s in the cover art).
Cupcakke, who is known for shaking up social media with wild pronouncements and surprise releases of her fiery freestyles, once again sparked raised eyebrows and captured fans’ attention with her “How To Rob (Remix)” yesterday. Over the course of the song, she imitates the song’s original artist 50 Cent in reaching out with rude one-liners directed at her contemporaries. Aside from Sukihana, she also named Cardi, City Girls, Chief Keef, DaBaby, Doja Cat, DreamDoll, Flo Milli, G Herbo, Lil Baby, Lil Durk, Megan Thee Stallion, Migos, Mulatto, and more.
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Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”
At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.
“Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.
Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.
Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.
For more information about Sadie Brown, please visit [website].
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Indie
“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question
The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.
What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.
Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.
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