Entertainment
Summer Walker Calls Out Chrissy Teigen Over Jeffrey Epstein & Old Tweets
Things have taken a turn for Chrissy Teigen and it isn’t pretty. She’s known for being John Legend’s outspoken wife who often grabs headlines for her outrageous behavior or for snapping back at critics online, but people have been bombarding Teigen with a host of vicious accusations. On Tuesday, Chrissy Teigen was questioned by the public about why her name reportedly appeared on flight logs belonging to Jeffrey Epstein, along with other celebrities and politicians—including John Legend. The disgraced reported pedophile, child rapist, and sex trafficker allegedly committed suicide in his jail cell in August 2019, and now his alleged partner in crime, Ghislaine Maxwell, has pleaded not guilty to charges stacked against her.
Charley Gallay / Stringer / Getty Images
People began to pull up old tweets from Teigen and accused her of being involved in Epstein’s nefarious deeds, citing tweets she made about certain television shows. In one tweet Chrissy wrote, “Seeing little girls do the splits half naked is just…..i want to put myself in jail. #todlersandtiaras.” Summer Walker chimed in with screenshots and wrote in the caption, “Oop Ms. Chrissyy…. you deleted 60k tweets, was on Epstein flight logs, and said you going to ‘jail for pizza’ . Interesting, everything done in the dark will eventually come to light #Godisgood.”
Chrissy Teigen took to her Twitter account to defend herself against the accusations, admitting that she did delete a massive amount of her tweets for good reason. “I actually deleted 60,000 tweets because I cannot f*cking STAND you idiots anymore and I’m worried for my family. Finding me talking about toddlers and tiaras in 2013 and thinking you’re some sort of f*cking operative,” she said.
“When pedo ghislaine sings like a canary (if she doesn’t die) and we have nothing to do eith this, I know for a fact it won’t go away. They’ll just think of another excuse. It is extremely disheartening. I don’t know how to stop this. i don’t think anyone quite gets it.” Check it all out below.
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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