Artist Spotlight

SUMO Y LOS HERMANOS DEL ALMA Track Released – King of Creation

Music is something that people come to for several different reasons, but one of the major reasons is to be entertained. That music helps you escape after a long day, with a sound that grabs you and makes things in life more exciting with a special sound that thrills. That is what shines about this new must-hear song from SUMO Y LOS HERMANOS DEL ALMA called “King of Creation.”

SUMO Y LOS HERMANOS DEL ALMA’s “King of Creation.” is a major anthem that stops time for the listener to get lost in this true experience of the music. It stands out musically, as well visually with a masterful video that brings the vision to life in a special way, to make sure we can enjoy this piece of art, in its full vision.

Since its creation in the late 90s, we have seen Sumo roam various territories: electro, soul, funk, hip-hop, dub… Loyal to their initial state of mind, the group made up of brothers Alex (guitar, vocal) and Fred Sumi (bass, production) doesn’t box itself into one specific style, embarking instead on a constant musical odyssey.

For its 6th opus “Oya”, the journey continues by exploring new horizons, rhythms and sounds. The group exiled itself to Cuba, where two tours (Habanarte festival, Cubadisco in 2017) had brought about striking and heartfelt friendships.

In this new adventure, Sumo met his Cuban soul brothers to become: “Sumo y Los Hermanos del Alma”. The result is both fascinating and fulminating. “Oya” is an afro-cuban rock record… a kind of UFO with multiple sounds: afro-beat, rock-fusion, latin-jazz, afro-cuban soul voices.

This album was conceived in complete immersion: two weeks of recording sessions in Havana surrounded by a tribe of the top Cuban musicians and singers. Oya is a captivating album whose numerous and varied levels of listening will never tire music lovers hungry for novel discoveries and explorations.

Incidentally, it is no coincidence that the album brings together such an eclectic assortment of musicians: Chilean drummer Ramon Plaza, who has accompanied the group since 2013; legendary Jamaican reggae singer Wayne Paul; percussion player Dunieski Baretto, pianist Maykel Gonzalez and trumpeter Eduardo Bringuez, all three members of the mythical salsa group “Pupy y los que son son”; singers Los Niches, who spearheaded the new Cuban rap scene; and finally, Nelson Labrada, singer and guitarist from renowned rock group, “Miel con Limon”.

Wayne’s stories are profound, his voice full of soul. In conjunction with the two brothers Alex and Fred Sumi from Geneva he created songs that reach high into the sky and in the same time plunge into deep bass waves. The lyrics spread confidence and let us dream of a better future that holds the answers to the pressing questions of a society in an increasingly complex and disoriented world.

SUMO Y LOS HERMANOS DEL ALMA works best on African music, Afrobeat, Alternative rock, Dub, Latin music, Reggae Authentic, Creative, Eclectic, Energetic, Experimental, Fusion, Good vibes, Groovy, Unique, Intense, Original, Positive, & Surprising.

Available on Spotify, Composer, On stage experience, International potential, Strong social media presence, Supported artist, Unsigned artist, & Upcoming project.

Instagram: https://www.instagram.com/sumoyloshermanosdelalma/

Spotify: https://open.spotify.com/artist/1OCDJNAHCnnolvYxGXS1Tz

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Artist Spotlight

Alwyn Morrison explores betrayal, judgment, and survival on new EP “Trial”

Life isn’t always a straight line, and Alwyn Morrison explores that in “Trial,” a four-track EP that goes beyond the familiar territory of love and heartbreak. The project blends pop, rock, and singer-songwriter influences, exploring themes of betrayal, false accusations, emotional pain, self-defense, and survival. Each track is inspired by courtrooms and is a step in a personal journey of understanding, acceptance, and ultimately freedom.

The first track, “Puzzle Piece,” is Morrison’s raw, heavy alternative rock sound, fitting the weight of betrayal and false accusations. The song has a sense of tension, putting you in the shoes of someone trying to understand a difficult situation. Followed by “Everybody Bleeds,” which follows that emotional path, creating a song about confusion, openness, and the struggles we all face, and it’s an emotional listen, with hard truths and personal experiences laid bare.

Alwyn Morrison

The project’s focus track, “Monster,” goes into more personal territory. It explores what happens when we are judged or condemned for the choices we make, and it carries a message that goes far beyond Morrison’s own experience. The central theme will strike a chord with anyone who has felt misunderstood, unfairly labeled, or defined by others’ opinions.

Alwyn Morrison

The EP closes with “Fireflies,” a track that shifts the mood, contrasting childhood innocence and memories with the realities of adult life. The sequence moves the story toward resilience, survival, and earned acceptance. Alwyn Morrison spins a musical tale of hard life experiences put to the test. The courtroom concept gives the four songs real purpose to move on without letting past experience dictate the future.

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Artist Spotlight

Fanny Alexandra explores emotional recovery and self-discovery on “Ceasefire”

Not every fight ends a relationship, and there could be long-term emotional damage, with questions about identity, attachment, and the difficult path to moving on. “Ceasefire” is a ghostly alternative rock ballad in which Fanny Alexandra navigates difficult terrain, exploring emotional dependency and the search for selfhood after a toxic relationship.

“Ceasefire” is full of sad melodies and hints of atmospheric rock, making it a dark, cinematic listen. The song’s alt-rock pivot provides an emotionally charged foundation, and it’s about the internal battle, especially when your identity has been so tied to another person.

Fanny Alexandra’s ethereal vocal approach suits the song, lending real emotional weight to the exploration of self-loss and internal tension. “Ceasefire” is a reflective track, with atmospheric instrumentation and deeply personal songwriting that capture feelings that can linger long after a tough chapter closes.

It’s about finding yourself again, and its emotional arc moves from openness and dependence to the hard-earned discovery that personal freedom is more than just walking away. Fanny Alexandra’s love for dark, emotional alternative music inspired “Ceasefire.” Her art is about intimate storytelling, cinematic atmosphere, and making music that explores the quieter struggles people tend to keep inside. In this record, she turns the fallout from a toxic relationship into a meditative reflection on the long road to selfhood.

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