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Taylor Swift Strikes Gold on Spotify, 2023 Earnings Skyrocket to Over $100 Million

Taylor Swift

In a dazzling triumph, Taylor Swift has clinched the title of 2023’s most-streamed artist on Spotify, and the numbers are nothing short of extraordinary. Swift’s musical juggernaut, the Eras tour, launched in March, is on track to rake in a staggering $4 billion. But that’s not all – her Eras concert film, released in October, has globally pocketed an additional $250 million.

The dynamo from Pennsylvania isn’t slowing down; she dropped the deluxe edition of her 2022 LP Midnights in May and unleashed a wave of re-recorded “Taylor’s Versions” across her discography. As the curtain falls on 2023, Swift’s relentless efforts are reaping rewards.

Clocking in an unprecedented 26.1 billion streams on Spotify this year, Swift leaves heavyweights like Drake, The Weeknd, Peso Pluma, and even the reigning streaming king, Bad Bunny, in her wake. Billboard projects a jaw-dropping $101 million from Spotify royalties alone by year-end, surging to a grand total of $131 million with publishing revenue.

Hold onto your seats – these colossal figures don’t even factor in the windfall from other streaming giants like Apple Music, YouTube Music, and Amazon Music. When combined, estimates suggest a mind-boggling 38.3 billion streams, translating to a whopping $200 million in earnings when accounting for both recorded royalties and publishing.

Are you as blown away as we are by Taylor Swift’s meteoric rise on Spotify in 2023? Join the conversation in the comments below, and stay tuned to Honk Magazine for all the latest updates!

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The Jonas Brothers Just Played Halftime At The NFL’s First-Ever Game In Australia

Jonas Brothers performing at their Happiness Begins Tour stop in Nashville, 2019
Photo: Hart1300caleigh / Wikimedia Commons (CC BY-SA 4.0)

The NFL played its first-ever regular season game on Australian soil Friday, and the league handed the halftime slot to a band that knows a thing or two about stadium-sized nostalgia: the Jonas Brothers. At the Melbourne Cricket Ground, with the Los Angeles Rams and San Francisco 49ers on the field, the trio ran through a medley built for a crowd that grew up on them — “Burnin’ Up,” “Sucker,” “Year 3000,” and their new one, “Listen When Sad.”

They also did something no one was expecting: a cover of John Farnham’s “You’re the Voice,” the 1986 Australian anthem that’s basically a second national song at this point. It’s the kind of move that plays a lot better live in Melbourne than it would’ve on paper. “Playing at the iconic Melbourne Cricket Ground in front of such passionate Australian fans is an incredible honor,” the group said in a statement ahead of the show. “We can’t wait to be part of this historic moment and celebrate with everyone in the stadium and watching around the world.”

The game itself wasn’t close — the 49ers took it 27-7 — but the real story was everything happening around the field. Cody Simpson opened the day singing “Advance Australia Fair,” and the whole event doubled as a launchpad for the Jonas Brothers’ next act: “The Burning Up Tour All Over Again,” kicking off Sept. 25 and running through Dec. 22, a nod to the original Burnin’ Up Tour from nearly two decades back.

That throwback framing isn’t just marketing. “Listen When Sad,” which the band debuted live at Madison Square Garden before Melbourne, pulls from a very specific corner of their teenage years. “We’ve tapped back into a sound that was kind of the sound of the early 2000s,” Nick told the MSG crowd. “Bands like Switchfoot, Taking Back Sunday, Dashboard Confessional.” They’ve even re-teamed with the producer behind “A Little Bit Longer” and “Lines, Vines and Trying Times” to get it right. No album’s been announced yet, but between the halftime show and the tour, it’s clear they’re not easing into this one quietly.

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Harry Styles Is Extending His Tour Into 2027 — And Finally Playing U.S. Stadiums Solo

Harry Styles performing during his Live on Tour show in Nashville, 2018
Photo: itsloutual / Wikimedia Commons (CC BY 3.0)

Harry Styles just told fans that “Together, Together” isn’t done yet. He’s tacking on 25 more stadium dates through 2027 — and this time he’s finally doing something he’s never done before as a solo artist: headlining stadiums in the U.S. and Canada.

The new leg kicks off in Phoenix on April 2 and rolls through Dallas, Los Angeles, Toronto, Atlanta and Chicago before jumping to Europe for stops in Berlin, Paris, Madrid, Rome and Dublin, wrapping with three nights at Wembley Stadium on Aug. 28. Tickets run $60 to $300, but Styles is also rolling out something new: “Unpredictable Fun Tickets,” a batch of $20 seats (£20 or €20, depending on the market) meant to keep the tour accessible, alongside a returning partnership with EARNT that lets fans earn tickets by volunteering in their communities.

Styles broke the news the old-fashioned way, in a newsletter to fans, confirming these are the tour’s “final cities.” “After that, I don’t know what comes next for me,” he wrote, “but I know that I’m excited to find out.” Every stop gets its own opening act, and the lineup is genuinely wild — Kylie Minogue in LA, Tears For Fears in London, LCD Soundsystem in Rome, Lainey Wilson in Toronto, and Caroline Polachek in Paris, among others.

This caps a run that’s already made history: Styles picked up a Guinness World Record in June for the longest residency by a musician at Wembley Stadium, beating out Coldplay’s old mark. The tour is behind his fourth album, “Kiss All the Time. Disco, Occasionally.,” which debuted at No. 1 on both the Billboard 200 and the UK Albums Chart. If this really is the last lap, he’s making sure it’s the biggest one yet.

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