Music
The Grammys’ New Best Progressive R&B Album Category Is Here, And It’s Awesome
Getty Image / Uproxx Studios The new category revamps the Academy’s previous attempts at honoring hip-hop-influenced R&B. …
The Grammys have a new category this year. In an effort to better recognize the increasing breadth and variety of modern R&B, they’ve split the R&B Album category into two: Best Progressive R&B and Best R&B. The new range allows them to nominate more artists — five each — and give the nod to non-traditional contemporary R&B artists who aren’t forced to compete with genre mainstays like Alicia Keys and John Legend.
Although the Grammys have tried similar moves in the past, this year’s move is timely, as the style of some R&B has been reshaped by contributions from alt-rock, ambient music, hip-hop, EDM, trap, and other styles to make it something far more futuristic but still rooted in the tenets of the sound established in the late ’80s and early ’90s. From 2003 to 2011, more hip-hop-influenced albums could be found under Best Contemporary R&B Album, but they were shifted back to the main category after 2011. The new category was created as Best Urban Contemporary Album, but that name was phased out as a result of longstanding criticisms and the industry-wide revamping of “Urban” classifications after this summer’s “Blackout Tuesday.”
According to the Recording Academy, the new category “is intended to highlight albums that include the more progressive elements of R&B and may include samples and elements of hip-hop, rap, dance, and electronic music. It may also incorporate production elements found in pop, euro-pop, country, rock, folk, and alternative.” For its inaugural clutch of nominees, the Academy has acknowledged Chloe X Halle, Jhené Aiko, Free Nationals, Robert Glasper, and Thundercat. The traditional category includes Ant Clemons, Giveon, Gregory Porter, John Legend, and Luke James.
Speaking of Robert Glasper, the accomplished pianist/producer is planning his eighth annual Grammy Jam to coincide with 2021 Grammy Awards, gathering together some of the biggest names in R&B, jazz, and hip-hop for a special night of music. Check out the video from the 2020 edition above.
Artist Spotlight
Lisa Boostani creates a mesmerizing tidal realm in “Ocean”
Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.
Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.
If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.
The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.
Artist Spotlight
NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”
“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.
This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.
In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.
“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.
Connect with NOAH. on Instagram
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