Music
The Grammys’ New Best Progressive R&B Album Category Is Here, And It’s Awesome
Getty Image / Uproxx Studios The new category revamps the Academy’s previous attempts at honoring hip-hop-influenced R&B. …
The Grammys have a new category this year. In an effort to better recognize the increasing breadth and variety of modern R&B, they’ve split the R&B Album category into two: Best Progressive R&B and Best R&B. The new range allows them to nominate more artists — five each — and give the nod to non-traditional contemporary R&B artists who aren’t forced to compete with genre mainstays like Alicia Keys and John Legend.
Although the Grammys have tried similar moves in the past, this year’s move is timely, as the style of some R&B has been reshaped by contributions from alt-rock, ambient music, hip-hop, EDM, trap, and other styles to make it something far more futuristic but still rooted in the tenets of the sound established in the late ’80s and early ’90s. From 2003 to 2011, more hip-hop-influenced albums could be found under Best Contemporary R&B Album, but they were shifted back to the main category after 2011. The new category was created as Best Urban Contemporary Album, but that name was phased out as a result of longstanding criticisms and the industry-wide revamping of “Urban” classifications after this summer’s “Blackout Tuesday.”
According to the Recording Academy, the new category “is intended to highlight albums that include the more progressive elements of R&B and may include samples and elements of hip-hop, rap, dance, and electronic music. It may also incorporate production elements found in pop, euro-pop, country, rock, folk, and alternative.” For its inaugural clutch of nominees, the Academy has acknowledged Chloe X Halle, Jhené Aiko, Free Nationals, Robert Glasper, and Thundercat. The traditional category includes Ant Clemons, Giveon, Gregory Porter, John Legend, and Luke James.
Speaking of Robert Glasper, the accomplished pianist/producer is planning his eighth annual Grammy Jam to coincide with 2021 Grammy Awards, gathering together some of the biggest names in R&B, jazz, and hip-hop for a special night of music. Check out the video from the 2020 edition above.
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Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”
At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.
“Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.
Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.
Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.
For more information about Sadie Brown, please visit [website].
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Indie
“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question
The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.
What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.
Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.
CLICK HERE TO STREAM Tom Minor’s “Is Everything Okay?“ on Spotify.
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