Music

These Brittle Bones Begins New Era With Mesmerising Single ‘Postscript’

These Brittle Bones shares the first taste of a new era of releases in the form of ‘Postscript’, a tapestry of shimmering, hazy synthesiser loops, grounded by swells of lo-fi piano and octaved reverb. This is ambient, instrumental music but not as we know it – as the Welsh-Singaporean producer and musician pulls from different artistic realms of literature and poetry, interpreting the words with powerful, emotional instrumentation. With his eye on the creative detail, each track is accompanied by a stunning piece of looping modernistic digital artwork by US artist Cale Peeples.

Speaking on the release, These Brittle Bones says: “Postscript is the first song I’ve released in about three years, and I’ve taken my time to find the exact sound I was happy with. I found that I was limiting myself when trying to fit words to a melody, and instead wanted to explore the expressive capacities of instrumental music, which can communicate in often very powerful ways. In some senses then, Postscript is literally a ‘post-script’ – beyond words – but also a ‘P.S.’ – a retrospective statement, after the event, a few years after I last released music. In other ways, it’s also inspired by a striking Seamus Heaney poem of the same name. Heaney’s poem is rich in images of experiences that one will only encounter once in their lifetime, and I wanted to try and create a sonic landscape capturing the emotion of that poem. To translate it beyond words.”

The musical project of Welsh Singaporean Chris Jones, These Brittle Bones is back with a new sound. Having spent the time locked inside during various lockdowns in Wales, Singapore and London reflecting on his ultimate musical purpose, Chris combined his study of English literature, the influences of notable poets and writers including Ezra Pound and Virginia Woolf, and his love of crossover ambient/classical music. The result is a body of work of astute ambient instrumentalism, with synthesiser and piano lines swimming in calm tranquility, all sounds breathing and dovetailing together. If ‘Postscript’ is anything to go by, we can’t wait to hear the other new tracks he’s been busy cooking up.

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Artist Spotlight

Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”

Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.

“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.

Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.

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Artist Spotlight

Bromsen crafts a suspension between attachment and release in new single “Concendrain”

Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.

“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.

The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.

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“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.

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