Music

This Jazz Arrangement Of ‘Georgia On My Mind’ Is A Fitting Lead-In To Tomorrow’s Run-Off Election

Lift Every Vote and CivicGeorgia have teamed up for a reflective rendition of “Georgia On My Mind” ahead of Tuesday’s run-off election. …

The pivotal Georgia Senate runoff election, which will decide whether the U.S. Senate remains in Republican control under Mitch McConnell or switches over to the Democrats, is fast approaching. And by fast approaching we mean it’s tomorrow. This means if you’re planning on lending a helping hand in some way — be it by phone banking, posting support to social channels, or donating (or voting, if you’re a Georgian) — now is the time to get to it.

In a call to action for Georgia voters, Lift Every Vote, a collective of musicians and creators teamed up with the BIPOC-led Georgia-based non-partisan group of organizers CivicGeorgia for a special campaign focused on boosting voter turnout and raising donations for grassroots civic engagement, specifically relating to the Georgia runoff. The campaign features a fitting and dramatically reimagined rendition of the Ray Charles classic “Georgia on My Mind,” arranged and produced by Grammy Nominated bass clarinetist Oran Etkin.

A cover of “Georgia on My Mind” while everyone in the country is literally obsessing over Georgia might seem a little too on the nose, but Etkin switches things up here playing with the song’s harmony and melody and leaving plenty of space for his remote jazz group (consisting of players from LA, NYC, Miami, and Georgia) to express themselves.

“The video is structured as a flowing series of musical conversations — oftentimes between a vocalist and an instrumentalist because I think what we want to do is promote open conversation around the issues our country faces,” Etkin says. “I wanted to create something fresh and new out of the familiarity of ‘Georgia on My Mind,’ so this arrangement plays with the harmony and groove of the original song and leaves room for all of the wonderful artists to add their own voices. I hope this can be an inspiration to create something fresh and new within our political system that can give everyone room to lift their voices.”

Check out Etkin’s arrangement above and make sure to vote. If you’d like to donate to CivicGeorgia, visit the organization’s website here, and keep in mind that while CivicGeorgia is non-partisan, it is not a 501(c)(3), meaning your donation is not tax-deductible.

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Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.

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Artist Spotlight

“NO MORE” by Amanda Holley connects healing, awakening, and survival

“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.

“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.

Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.

“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.

Photo Credit: Yulia Shusharina

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