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Artist Spotlight

Tony Rock Claps Back By Throwing Jabs at Will Smith in Stand Up Revenge Tour

HonkMagazine

Almost two years after the infamous Oscars incident that shocked everyone, Tony Rock is making it clear that he hasn’t moved on. The comedian and brother of Chris Rock recently took to the stage and didn’t hold back his feelings about Will Smith. During a recent stand up performance that has been widely shared online, Tony made a bold joke targeting Will Smith. He said, “I have to get Will Smith. I’m just laying low right now. That stuff isn’t over. The Oscars are right around the corner. We haven’t forgotten.” The audience responded with laughter.

While Chris Rock responded to the slap he received from Will Smith at the Oscars with a calm demeanor, later discussing it in his Netflix special, Tony is taking a more outspoken approach. Tony not only went after Will but also joked about his brother Chris for not avoiding the slap. He said, “He stood there like a lawn jockey,” adding humor to a situation that shocked Hollywood. The original Oscar event in 2022 was one of the most surprising moments on live television. After Chris made a joke about Jada Pinkett Smith’s hair condition, Will stormed the stage and slapped him, warning, “Keep my wife’s name out of your f—ing mouth.”

This shocking moment stunned viewers, but Chris kept the show moving, saying, “Wow, dude, it was a G.I. Jane joke.” Tony Rock’s latest performance proves that not everyone is ready to let it go. Tony Rock is keeping this topic alive and doing it through humor. As the next Oscars approaches, many wonder if this ongoing drama between the Rocks and Smith will continue. If Tony has anything to say about it, it looks like the laughter (and the jabs) are far from finished.

Album Review

Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album

Cognitive Constellation Corps

In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.

Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.

Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.

On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.

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“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.

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Artist Spotlight

Shawn Brown raises the volume on love, loss, and survival in “What a Way to Go”

Shawn Brown

Shawn Brown’s new single, “What a Way to Go,” is a guitar-heavy rock-pop anthem that makes doomed young love, instability, and survival something ferociously cathartic. The single, produced by celebrated musician and producer Grecco Buratto, fully embraces the scope of its story. Brown doesn’t turn heartbreak into a quiet, inward experience, but he energizes it, giving it drive and urgency.

“What a Way to Go” is a relationship against impossible odds, and the emotional tension is the clash between a world that feels like it’s falling apart and the stubbornness of two people who won’t let go of each other. That tension is what makes the song dramatic, but it also allows Brown to aim for a bigger, more explosive sound.

Recorded at The Trench in Portland with engineer Gregg Williams and the full Shawn Brown Band and trusted creative team, including Ben Landsverk, Jeff Langston, Ned Failing, Tiago Becker, and Juan Garcia Petri. Their combined presence adds to the muscular, expansive character of the single that one would expect from an anthem of this magnitude.

Brown handles the emotional commitment with confidence, true to its survivalist spirit, and pairs the guitars with a performance that feels immediate rather than remote. “What a Way to Go” is one of Shawn Brown’s most electrifying releases, blending raw rock power with the emotional openness of a love story that won’t go quietly. It’s raw, loud, passionate, and unapologetically alive.

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