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Tory Lanez’s Father Says Son Is Innocent Of Megan Thee Stallion Shooting

It’s expected that when a child gets themselves into trouble, their parents will be there to help. Following the July shooting incident involving Tory Lanez and Megan Thee Stallion, Lanez has been blackballed by many media outlets and artists. Megan Thee Stallion came forward to name Tory as the person who shot her, but on his recently released album Daystar, Lanez insists that he isn’t the person responsible for injuring Megan and has since accused her team of setting him up to take the fall. There haven’t been many other artists or entertainers who have come forward to defend Lanez in recent months, but yesterday (September 29), the singer’s father Sonstar Peterson participated in an interview where he declared his son’s innocence.

During the conversation—a discussion that lasted over an hour—Sonstar, who has been in ministry for 40 years, condemned publications for speaking negatively about his son. “You would go to that extent to put your blog or your magazine out there to see something that… but I’m saying that they’re doing it for one reason and one reason only. ‘Cause here is a young man who is not going to back down. We have seen what the industry has done other Black young men.”

Sonstar brought up the recent controversy that Nick Cannon faced and how the media mogul lost a longtime deal because of his remarks, and mentioned Drake possibly going independent and collapsing the music industry. “This is not a Megan-Tory thing. That’s just the billboard advertising so that they can change our opinion or our attention to some other direction,” he added. “This is much bigger than Megan and Tory. This is first started out as Tory versus the industry. Now, it’s taking on a life of their own and they’re scared of it because Black folks are waking up. Before the 26th of September, most people had Tory crucified. He’s guilty, he’s whatever. They did not expect what was about to happen, and now the tone of popular opinion is shifting.“

“There have been a lot of lies that have already been told,” Sonstar said, before naming off publications that have spoken to “sources” who have said that Tory was the shooter. “I think a lot of these people, be it TIME magazine who put Megan on their front cover as the most influential person fo the year and then put Tory in another page as being the poster child for how to block troublesome artists on your Spotify. I want y’all to know very clearly: This game ain’t over yet. When the stuff really starts to come out of the closet, they will realize who was right, who was wrong.”

You watch the full video and listen to all of Sonstar’s comments below.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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