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Travis Scott And His Daughter Stormi Led A Toy And Food Drive In Houston

Getty Image Cactus Jack Foundation and Houston leaders teamed up to give a number of gifts and important supplies to Houston residents. …

For Travis Scott, it’s been a busy year on the business side of things. But the “Franchise” rapper looks to end it by giving back to the community. Scott and his daughter Stormi returned to his hometown to spread the Christmas spirit in the form of a food and toy drive. The event took place in the city’s Sunnyside Park, which is the same neighborhood that Travis grew up in.

By the end of the drive, 2000 toys supplied by Mattel and other leading brands were given to 1000 students across three elementary schools, as well as their faculty and local residents, for a total of 2000 people served. The event was also contactless and drive-up only. In addition to the toys, fresh produce, free meals, and a food truck were made available to those in attendance. Christmas trees, comforters, blankets, clothing, and PPE gear were also provided to residents.

Kylie Jenner shared a proud picture of her and Travis’ daughter Stormi on her Instagram Story wearing a mask at the event. “Big girl supporting her daddy @ his Xmas food and toy drive,” she wrote on the picture.

Travis’ food and toy drive comes after the rapper announced his next business endeavor would be a spiked seltzer drink entitled Cacti.

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Artist Spotlight

“Hell has frozen over” finds Sarina choosing peace over being understood

Sarina

Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.

“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.

Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.

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“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.

Photo Credit: Andrea Hunter

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Artist Spotlight

Girlhood finds summer warmth and quiet freedom on “Lemon Aid”

Girlhood

“Lemon Aid“ is a warm indie-pop ballad from Girlhood that finds comfort in the ordinary and weaves in a sense of release. This song is about surrendering to the moment, finding space to breathe, and letting a little lightness back in. This reflective core is surprising, given the warm summer-night feel of the track, hinting at a moment of emotional rebalancing.

Singer-songwriter Natalie Holmes has a tender personality and fronts the slow-burning “Lemon Aid.” The production supports that softness, keeping the song’s gentle mood and intimate direction front and center. Beneath the comfort is a thoughtful examination of pressure, transition, and the need to pause.

The song’s link to the streets of Stroud offers yet another layer of art to the work. Familiar places can mean something when life feels uncertain, and the emotional scene involves storefronts, parks, cafes, and leafy, winding streets. “Lemon Aid“ searches for beauty in everyday places and rituals, finding still moments that mean something without getting carried away.

The track is the first release of Girlhood’s forthcoming album, “This Will Make Sense In The End,” a more reflective chapter with hope at its heart. “Lemon Aid” is about softness, conjuring a space where dancing, wandering, and just existing can feel like a cure. It’s an unleashing of small observations and soft emotional movement and a clear indication of the thoughtful direction that Girlhood is heading next.

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