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Trey Songz & Swae Lee Link On Melancholy “Rain”

Trey Songz has finally released his new album, Back Home, after a week-long countdown across his social channels, and anticipation with singles like “Two Ways” and “Circles.”

The album doesn’t contain many features, but Summer Walker helps out the lead single and title track, “Back Home,” Ty Dolla $ign on “One Call, DaVido on “Sleepless Nights” and finally, Swae Lee on “Rain.” “Rain,” like the name might suggest, is a more melancholy R&B song, as Trey Songz prefaces the song with: “Cause in reality, love and happiness live next to pain.” Through out the song, the two artists come to terms with a relationship that is no longer what it was, one that appears to be slipping away from them.

As Trey leads us into the chorus, the production kicks up a notch, sliding into a percolating, hypnotic soundscape for both artists to seamlessly croon on. It’s a definitely a stand-out from the tracklist, but let us know what you think in the comments.

Quotable Lyrics

It’s pourin’ down on me, I won’t complain
‘Cause I kinda like the rain sometimes
Every now and again
Ooh, said you loved me one time
But did that season change?

– Trey Songz

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Artist Spotlight

Billy Chuck Da Goat finds his flow on new release “Vibez”

Billy Chuck Da Goat’s latest release, “Vibez,” has a laid-back, hypnotic bounce that makes it easy to listen to without ever feeling empty. It makes a place where calmness and quiet confidence come together.

“Vibez” was made on purpose, but it also sounds simple. Billy Chuck’s smooth delivery flows through the production without rushing or pushing anything. Instead, he lets the rhythm breathe, allowing people to get into the song at their own pace. This laid-back energy is the best part of the song, nothing feels forced, which is exactly what it’s trying to do.

The track changes to fit whatever you need it for, like a late-night drive, a focused workout, or a way to unwind after a long day. It has a quiet edge of confidence, it’s not loud or bragging, but it’s steady and sure of itself.

Connect with Billy Chuck Da Goat on Spotify || Instagram || Facebook || Youtube

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud