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Ty Dolla Sign and Kanye West Revive “VULTURES” with a Listening Event in Korea!

Ty Dolla Sign

Ty Dolla Sign and Kanye West are reigniting the excitement around their highly anticipated “VULTURES” project. Despite the long wait since the initial release of “VULTURES 1,” the duo is set to host a special listening event in South Korea on Friday, August 23. This announcement, made by Ty on social media, promises fans a taste of what’s to come and hints that new music might be dropping soon.

The Los Angeles artist has been stoking anticipation by claiming that “VULTURES 2” will feature a “new sound,” departing from the style of the first album. In a recent Billboard interview, Ty revealed, “We got all the songs. Basically, it’s just like, ‘How can we get it there? How can we go bigger than the first album?’ Certain people will probably expect you to just do the same exact sound. But that sound’s already out.” He further teased that the album is nearly finished and could be released any day now, as mentioned in an interview with NFR Podcast.

While fans are eagerly awaiting new music, they’ve learned to temper their expectations due to past delays and unfulfilled promises. Still, the buzz around this project is undeniable.

Ty Dolla Sign also spoke candidly about his relationship with Kanye West, praising him as “the best artist of this generation” and defending him against ongoing controversies. “I don’t give a fk about what people were talking about,” Ty said. “I know my n*a. He’s one of the best people I’ve ever met.”

However, Kanye West’s current legal battles—including lawsuits for assault, sexual harassment, and labor exploitation—cast a shadow over the project. Despite this, fans remain eager for any updates on “VULTURES,” proving that the allure of new music from this powerhouse duo is still strong.

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Stay tuned for more updates and mark your calendars for the listening event in Korea—this is one musical comeback you won’t want to miss!

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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