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Ty Dolla Sign Reveals He Has An Unreleased Project With James Blake

Apple Music He also mentioned he’d like to do an album with YG or SZA. …

Ty Dolla Sign just released his anticipated record Featuring Ty Dolla Sign last week, but that doesn’t mean the singer is done sharing new music. Revealing that he has a new project coming soon, Ty said he worked on some unreleased music with James Blake.

Ty recently sat down for an interview with The Ebro Show on Apple Music to talk about his recent album and future plans. In speaking about some of his collaborations on his record, Ty let slip that he has a project with Blake coming soon, saying, “I was working with James Blake on some other stuff that we haven’t released yet. I shouldn’t even have said that… but yeah it’s coming guys.”

Before revealing his music with Blake, Ty turned to his fans to ask who they would personally like to see him work with: “I was thinking about asking my fans, after hearing this album and hearing what I did with this, who would y’all want to hear me produce? I didn’t ask the question yet, but now y’all here. Fill me in on who y’all wanna hear. I would be down for sure to go on someone’s album. I would love to do a whole album with YG for instance, or I would love to do a whole album with SZA and produce her whole stuff.”

Elsewhere in the interview, Ty talked about his time in between album cycles and said he’s had no shortage of projects to keep him busy. “It’s pure cap if you try to say that Ty ain’t been giving us heat because it’s like I named the album ‘Featuring Ty Dolla Sign,’ you can see all the features,” he said. “I’ve been doing music this whole time and it shows.”

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Watch Ty’s full interview with Apple Music above.

Featuring Ty Dolla Sign is out now via Taylor Gang/Atlantic Records. Get it here.

Ty Dolla Sign is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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