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VUOLA Releases New Album – ‘ALOUV’
VUOLA’s psychedelic, heavy-hitting debut album Alouv will be officially released on Friday, May 13th. The Finnish Rocker’s new album is an amalgamation of psychedelic rock, instrumental virtuosity, vocal passion, and poetic lyrics.
Listeners will be captivated by the music which was inspired and awoken by a vision that appeared to the artist, one of peace and passion, harmony and hope, and love and friendship. Many of the singles on the album were influenced by the sounds of greats from the past, like Robert Plant and Jimmy Page, as well as Tom Scholz of Boston. All proceeds of ‘Alouv’ will be donated to the victims of the Ukraine war via UNICEF.
The first single off the album “Under Above Orion Venus Loves” carries the modal weight of Pink Floyd and the melodic rock sensibilities of Led Zeppelin. The song’s themes include the beauty of nature, love and the meaning of life, and the ebb and flow of joy and sorrow. This single includes gorgeous guitar solo work.
Credits: All music, lyrics, instruments & production by Jussi Vuola, V.R. Studio (Sammal, The Grammers, Michael Monroe)
Mixed by Jaime Gomez Arellano, Orgone Studios (Ghost, Opeth, Paradise Lost)
Mastered by Svante Forsbäck, Chartmakers (Rammstein, Volbeat, Entombed)
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For more information on Vuola, please visit his website.
About Vuola
VUOLA is a psychedelic rock project of a Finnish drummer, producer and studio manager Jussi Vuola. In his music there’s a shimmer in darkness, a touch in space, beauty in distortion and aspiration in despair. A history of growing with Led Zeppelin, Pink Floyd and the like is being shaped with low tunings, vibration and chanting on his concept album, based both on geometrics and syntax. The anticipated, esoteric, heavy hitting album “Alouv” is coming out in spring 2022.
Jussi Vuola has played drums since his teenage years in a variety of acts, including the Finnish bands The Grammers, Mystons, Willie & The Goodsouls and Achiote to name a few. In 2010 he put together an analog recording studio in Turku, Finland that has become a home for a lot of more acts since. Hundreds of gigs around the globe, tens of albums he has played on and hundreds of releases he has taken part of production in have shaped him to a person he is today. During the years it became clear it was eventually time for him to make a move downstage. In 2022 he is leading a talented five-piece under his own name to venues with himself on vocals & guitar – an another teenage love of his.
“I was privileged enough to spend the entire summer of 2021 to write music premised on a vision that appeared to me in a dream some time ago. In August 2021 I was happy to book my own commercial music studio for 2 weeks for a production and songs completely my own, for the first time in the 10 years of history being an entrepreneur and working hard in the recording industry. I had produced, engineered, mixed, mastered, released and played on a lot of albums and thus given my part to the the music community. This time I had the opportunity to do something completely different – for me, myself and I only. These are the fruits of the beautiful summer I spent under the sun and stars, in peace and harmony, surrounded by the people I love. Recorded with a little help from my friends. Processed by the best professionals in the world. In my dream, this album was a start for something bigger too, something collective, something that would spread a lot of good into the world.”
All proceeds of the album will be donated to the victims of the Ukraine war during year 2022 via Unicef. The album is for sale on Bandcamp now for the amount of your choice.
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Carmen Bryan’s Cryptic Post Stirs the Pot in Jay-Z Controversy
The hip-hop industry currently faces substantial controversy as Jay-Z finds himself in the eye of a storm. Allegations of sexual assault stemming from a 2000 afterparty involving the illustrious rap mogul and disgraced music executive Diddy have ignited fierce public debate. While Jay-Z categorically denies the accusations and expresses his intent to contest the lawsuit, the court of public sentiment appears to have already rendered its verdict. Further complicating this turmoil is the involvement of Carmen Bryan, a name from Jay’s contentious history, which has added a chilling layer to the evolving situation.
Carmen Bryan, recognized for her decade-long affair with the Brooklyn rapper, recently took to Instagram with a cryptic yet pointed post. Although she refrained from naming anyone directly, Bryan suggested that loyalty often supersedes ethical morality in cases involving influential individuals. “These days, people don’t defend what is right; they defend who they like,” she wrote. Her parting shot, “And that’s why we call you a groupie,” felt like a verbal mic drop, leaving little doubt about who her words targeted.
The intrigue didn’t stop there. Bryan shared a snapshot of Jay-Z’s lyrics from his 2010 track “Monster,” honing in on a particularly unsettling line: “Kill a block, I murder the avenues, I rape and pillage your village, women and children.” Though these lyrics were part of a more extensive metaphorical verse showcasing a “monster” persona, their resurfacing in this context feels calculated and ominous.
Bryan is no stranger to controversy, having previously aired her grievances toward Jay-Z. In her 2006 memoir, It’s No Secret: From Nas to Jay-Z, Seduction to Scandal, she detailed their affair and its tumultuous fallout. Additionally, she revealed in a 2017 interview that she had been pregnant with Jay-Z’s child, only to suffer a miscarriage. The relationship, fraught with personal and public conflict, remains a blemish on Jay-Z’s meticulously crafted, otherwise carefully curated narrative. Carmen Bryan’s multifaceted approach raises pertinent questions: Is she simply sharing her perspective on morality in the industry, or does she possess additional undisclosed knowledge?
While the allegations against Jay-Z are still under legal evaluation, Bryan’s Instagram post has reignited another dimension to the complex and polarizing discussions about power dynamics, accountability, and the ethical responsibilities of those influential individuals in the spotlight. Her courageous decision to use Jay-Z’s lyrics against him paints a stark picture that forces fans and critics alike to reckon with the blurred lines between art and reality.
As the legal proceedings involving Jay-Z progress, the public remains split amid this developing saga. While Jay-Z’s peers have predominantly expressed skepticism toward the allegations, the enduring legacy of this iconic figure hangs in precarious balance, with shadows from the past casting long and potentially damning silhouettes.
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Jay-Z Engrossed in Fresh Allegations as Tony Buzbee Claims More Victims
In a stunning twist to an already high-stakes legal dispute unfolding with the intensity of a Hollywood thriller, Jay-Z, one of music’s most preeminent figures, finds himself at the center of an explosive allegation involving minors. This drama stems from accusations brought forth by attorney Tony Buzbee and has escalated a conflict that began with a lawsuit over alleged extortion. Buzbee, who represents a woman accusing the music mogul of sexually assaulting her at the 2000 MTV VMAs afterparty, claims there are additional alleged victims, involving both male and female minors.
Jay-Z and his attorney, Alex Spiro, aren’t backing down. They have initiated a countersuit against Buzbee, vehemently denying the allegations and characterizing them as “entirely fabricated and malicious.” Spiro’s filing asserts that Buzbee’s accusations are part of a calculated scheme to tarnish the rapper’s reputation and coerce a settlement. “These baseless accusations are nothing more than a weapon in a calculated plot,” Spiro stated, doubling down on their stance that the allegations are devoid of any factual basis.
The case took another dramatic turn when the woman Buzbee represents amended her lawsuit against Diddy to include Jay-Z. The timing of the amendment and the salacious nature of the claims have fueled a media frenzy, leaving the hip-hop icon fighting a battle both in the courtroom and in the court of public opinion.
Late Sunday, Jay-Z fired back with a defiant statement on X (formerly Twitter). “What he had calculated was the nature of these allegations and the public scrutiny would make me want to settle,” he wrote. “No sir, it had the opposite effect! It made me want to expose you for the fraud you are in a VERY public fashion. So no, I will not give you ONE RED PENNY!!”
This case is now racing against the clock, with Jay-Z’s legal representatives seeking an emergency hearing to address the allegations. Their urgency stems from the relentless media coverage, which poses a substantial risk to the Roc Nation founder’s reputation. This matter extends beyond a mere legal confrontation; it encompasses significant implications beyond the courtroom, a fight for his legacy.
The stakes are exceptionally high. Legal counsel Buzbee hints at the potential existence of additional alleged victims, thereby intensifying the spotlight scrutiny placed on both parties involved. With careers, reputations, and justice on the line, this legal showdown is poised to become a critical juncture within the music and entertainment industry. For fans and observers alike, the unfolding circumstances prompt inquiries regarding the veracity of the claims and the tactical weaponization of reputation in the court of public discourse.