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VUOLA Releases New Album – ‘ALOUV’
VUOLA’s psychedelic, heavy-hitting debut album Alouv will be officially released on Friday, May 13th. The Finnish Rocker’s new album is an amalgamation of psychedelic rock, instrumental virtuosity, vocal passion, and poetic lyrics.
Listeners will be captivated by the music which was inspired and awoken by a vision that appeared to the artist, one of peace and passion, harmony and hope, and love and friendship. Many of the singles on the album were influenced by the sounds of greats from the past, like Robert Plant and Jimmy Page, as well as Tom Scholz of Boston. All proceeds of ‘Alouv’ will be donated to the victims of the Ukraine war via UNICEF.
The first single off the album “Under Above Orion Venus Loves” carries the modal weight of Pink Floyd and the melodic rock sensibilities of Led Zeppelin. The song’s themes include the beauty of nature, love and the meaning of life, and the ebb and flow of joy and sorrow. This single includes gorgeous guitar solo work.
Credits: All music, lyrics, instruments & production by Jussi Vuola, V.R. Studio (Sammal, The Grammers, Michael Monroe)
Mixed by Jaime Gomez Arellano, Orgone Studios (Ghost, Opeth, Paradise Lost)
Mastered by Svante Forsbäck, Chartmakers (Rammstein, Volbeat, Entombed)
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For more information on Vuola, please visit his website.
About Vuola
VUOLA is a psychedelic rock project of a Finnish drummer, producer and studio manager Jussi Vuola. In his music there’s a shimmer in darkness, a touch in space, beauty in distortion and aspiration in despair. A history of growing with Led Zeppelin, Pink Floyd and the like is being shaped with low tunings, vibration and chanting on his concept album, based both on geometrics and syntax. The anticipated, esoteric, heavy hitting album “Alouv” is coming out in spring 2022.
Jussi Vuola has played drums since his teenage years in a variety of acts, including the Finnish bands The Grammers, Mystons, Willie & The Goodsouls and Achiote to name a few. In 2010 he put together an analog recording studio in Turku, Finland that has become a home for a lot of more acts since. Hundreds of gigs around the globe, tens of albums he has played on and hundreds of releases he has taken part of production in have shaped him to a person he is today. During the years it became clear it was eventually time for him to make a move downstage. In 2022 he is leading a talented five-piece under his own name to venues with himself on vocals & guitar – an another teenage love of his.
“I was privileged enough to spend the entire summer of 2021 to write music premised on a vision that appeared to me in a dream some time ago. In August 2021 I was happy to book my own commercial music studio for 2 weeks for a production and songs completely my own, for the first time in the 10 years of history being an entrepreneur and working hard in the recording industry. I had produced, engineered, mixed, mastered, released and played on a lot of albums and thus given my part to the the music community. This time I had the opportunity to do something completely different – for me, myself and I only. These are the fruits of the beautiful summer I spent under the sun and stars, in peace and harmony, surrounded by the people I love. Recorded with a little help from my friends. Processed by the best professionals in the world. In my dream, this album was a start for something bigger too, something collective, something that would spread a lot of good into the world.”
All proceeds of the album will be donated to the victims of the Ukraine war during year 2022 via Unicef. The album is for sale on Bandcamp now for the amount of your choice.
Album Review
The Pink Diamond Revue create their own musical universe on “At The Discotheque” album
“At The Discotheque,” a decade-in-the-making album, blends vintage musical influences with forward-facing electronic experimentation. The album fuses 1950s rock ‘n’ roll, vintage blues, surf guitar, synth-punk, acid house, and electronic music into a sound defined by contrast. It looks to musical history while finding new possibilities in modern production.
The album kicks off with “She Is,“ introducing ACiD DoL, the artificial female mannequin that is the band’s frontwoman and central visual figure. “The Fuzz Guitar“ combines classic rock sounds with modern electronic production, while “Portable Radio“ transforms retro transistor radio broadcasts into rhythmic loops.
Elsewhere, “The Ton Up Boy” winks at 50s and 60s British motorcycle culture, adding another dimension to the album’s retro underpinnings. The Pink Diamond Revue also ventures into more experimental and darker territory. “Acid Dol“ delves into the darker side of the mysterious figurehead with industrial bass and fierce electronic rhythms, and “Lux“ conjures a hypnotic atmosphere with smoky club visuals and psychedelic textures.
The title track, “At The Discotheque,” shines a light on the dancefloor as a space of freedom, escape, and musical expression. The tracks “Go Go Girl,” “Way Out,” and “Microdot” take that energy even further, with space-rock influences, rave-inspired rhythms, and gritty industrial sounds.
“Final Meal Request“ feels like something out of a classic horror or noir film, and the three versions of “Milkshake“ each present a different aspect of the band’s sound, ranging from blues-rock to psychedelic dub to atmospheric reverb. “At The Discotheque” feels more like an exploration of musical eras, giving the project its own identity, and keeps the album moving between the familiar and the unexpected.
Artist Spotlight
Tingting Wu celebrates courage and freedom in instrumental piece “Carried by the Wind”
“Carried by the Wind” is an instrumental piano piece by concert pianist and composer Tingting Wu that gives a cinematic sense of freedom. It creates a sense of motion, taking you on a journey across a vast musical landscape where the rush of wind, the far-off waves of the ocean, and a strong sense of possibility come together.
Wu uses the piano to create an experience of courage, emotional openness, and determination to move forward. It has a thrilling character, the feeling of being lifted out of the known, of finding the liberty to embrace new possibilities. It’s a welcome hint of intimacy, a moment where openness and courage can take the same emotional journey.
Tingting Wu’s history as a concert pianist and composer shapes the release’s artistic identity. She founded LUMIMUSIC, a full concert experience that fuses live piano performance with lighting to explore the relationship between sound, emotion, and visual expression. That creative philosophy is reflected in the imagination of “Carried by the Wind,” where the piano becomes a narrative instrument, conjuring vivid scenes without words.
“Carried by the Wind” celebrates progress and inner strength. The most interesting part is the distinction between the fearless cinematic energy and its quieter emotional center, the composition with a sense of humanity under its expansive atmosphere. Tingting Wu keeps searching for ways instrumental music can tell a story, asking you to find your own meaning in every note.
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