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Willow Smith Confronts Mom Jada For Treating Her Differently Than Jaden

The world has learned all sorts of facts about the Smith family since they decided to have open, honest conversations about their personal lives on Red Table Talk. Three generations weekly sit and speak about various pop culture issues, and in a recent episode, the trio discussed the relationship between women, including mother-daughter relationships where family members can often be at odds. During the discussion, Willow Smith noted that her mother, Jada Pinkett Smith, didn’t treat her the same as she did brother Jaden Smith.

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“I also want to bring up, there is a difference in how Black moms will treat their daughters and their sons,” said Willow. Jada agreed that she was much harder on Willow than Jaden. Then, Jada was asked why she operated that way. “It’s coming from, I gotta be on it, we gotta be on it because I know with this world, we have to work harder,” Jada answered. “And then I’d be like, ‘And his father will deal with [Jaden] but you mine.'”

“For me, I knew that she’s gonna have it twice as hard,” Jada continued. “I needed you to be strong because I know what this world is like for us as Black women.” Elsewhere, Willow admitted that she used to be a “mean girl” to other young women because she wasn’t dealing with her emotional issues appropriately. Check out the episode below.

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Artist Spotlight

Billy Chuck Da Goat finds his flow on new release “Vibez”

Billy Chuck Da Goat’s latest release, “Vibez,” has a laid-back, hypnotic bounce that makes it easy to listen to without ever feeling empty. It makes a place where calmness and quiet confidence come together.

“Vibez” was made on purpose, but it also sounds simple. Billy Chuck’s smooth delivery flows through the production without rushing or pushing anything. Instead, he lets the rhythm breathe, allowing people to get into the song at their own pace. This laid-back energy is the best part of the song, nothing feels forced, which is exactly what it’s trying to do.

The track changes to fit whatever you need it for, like a late-night drive, a focused workout, or a way to unwind after a long day. It has a quiet edge of confidence, it’s not loud or bragging, but it’s steady and sure of itself.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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