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Willow Smith Felt “Shunned” By Black Community For Being Different

The Smiths may be famous, but they’re an unconventional family. Will Smith has gone from Philly’s Fresh Prince to one of the most celebrated actors in the world, Jada Pinkett Smith leads her own alternative rock band, and while eldest son Trey keeps a pretty low profile, Jaden and Willow have developed their own eclectic creative styles that have shaped them as alternative pop artists. On the latest episode of Red Table Talk, Willow Smith spoke about how she felt ostracized by the Black community for not fitting into a certain mold.

Willow Smith, Jaden Smith, Red Table Talk, Shunned
Phillip Faraone / Stringer / Getty Images

“Specifically with the African American community, I felt like me and Jaden were shunned a little bit,” said Willow. “Like, ‘We’re not going to take pride in them because they’re too different, they’re too weird.’… Even some of our family members, I would feel they thought we’re too different.” Her grandmother, Adrienne Banfield-Jones, agreed with Willow. “We do have a way within the community that we expect our kids to be raised, like how you behave, how you carry yourself.”

Jada added, “But there are different ways that can be successful.” Elsewhere in the episode, the ladies discussed Black stereotypes and why there seems to be certain criteria that people follow to prove that they’re “Black enough.” Do you think that someone needs to fit a specific “type” to be broadly accepted by the Black community? Check out a clip from the show below.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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