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Yeezy Season 8 Sneaker Teaser Leads To Ridicule Online

Over the years, Kanye West has shocked fans with his Yeezy designs, both for the good and for the bad. His designs have always turned out to be extremely polarizing although most of the time, fans end up coming around and praise him for his willingness to innovate. More recently, Kanye’s designs have become a lot more erratic, which has led to some criticism on social media. Perhaps the best example of this was his Yeezy Foam Runner which released earlier this year.

The latest Yeezy sneaker to be previewed comes courtesy of Yeezy Mafia who noted that the shoe is actually coming from Yeezy Season 8. In the photo below, you can see that the black sneaker has a chunky midsole, all while the upper features some sort of weird high-top sock design. The upper even appears to be inspired by the Yeezy basketball shoe.

As one can imagine, this design led to some pretty hysterical reactions on social media as sneakerheads were eager to get their jokes off at Kanye’s expense. Based on the reactions, it doesn’t seem like many people are feeling these, but you just never know how that energy will change once the shoe actually releases.

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Artist Spotlight

Billy Chuck Da Goat finds his flow on new release “Vibez”

Billy Chuck Da Goat’s latest release, “Vibez,” has a laid-back, hypnotic bounce that makes it easy to listen to without ever feeling empty. It makes a place where calmness and quiet confidence come together.

“Vibez” was made on purpose, but it also sounds simple. Billy Chuck’s smooth delivery flows through the production without rushing or pushing anything. Instead, he lets the rhythm breathe, allowing people to get into the song at their own pace. This laid-back energy is the best part of the song, nothing feels forced, which is exactly what it’s trying to do.

The track changes to fit whatever you need it for, like a late-night drive, a focused workout, or a way to unwind after a long day. It has a quiet edge of confidence, it’s not loud or bragging, but it’s steady and sure of itself.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud