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Yung Joc Clears The Air After Ari Fletcher Tells Him To “Stay Out Of Rich Folks Business”

Yung Joc just can’t catch a break in 2020 but perhaps, there’s a part of it that is his own fault. Yesterday, Joc set the internet ablaze after trying to push a strange narrative surrounding Moneybagg Yo’s relationship with Ari Fletcher and the father of her child, G Herbo. Though Bagg and Herbo never necessarily had a huge public bond prior to Ari Fletcher coming into the picture, the post insinuated that Bagg tried to creep behind Herbo’s back to get with Ari Fletcher.

“If you used to rap and now if I call a Uber X and you pull up then stay out of rich folks business,” Ari tweeted. She later clarified that there’s absolutely no drama or beef between Herb and Moneybagg, despite what Joc suggested. “They spent more time together when Yosohn was getting dropped off at home then they did in that picture. Please mind yo business. God bless you and your bank account.”

Joc then responded, trying to absolve himself of any wrongdoing by claiming that, though he shared it to his account, he didn’t actually create the meme.

“Respectfully, I’mma say this. You know, the post that I made today — I didn’t create that post. That’s been circulating. It’s just when it came to my timeline and really stopped me ’cause it was like, damn. On one end, it really happens,” he said before explaining why he used a picture of Fizz and Omarion. “I’m not aimin’ to disrespect anyone in the imagery. It was just the imagery that caught my eye, you know what I’m sayin’? On one end, you know with Fizz and O. I mean, we know they have a personal friendship. On one end, that’s like whoa but to each their own.”

On Bagg and Herbo, he said, “I don’t know how well they had a relationship but the depiction of the imagery, it was amazing how it made me assume the same type of situation that’s goin’ on on top of it. I didn’t make the post, you know what I’m sayin’? I just saw it.”

The rapper made it clear that he had no beef with Bagg or Herbo and specifically clarified that he meant no disrespect towards Ari. Check his IGTV video below.

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A post shared by Yung Joc (@joclive) on Oct 9, 2020 at 9:21pm PDT

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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