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21 Savage Details Visit With Jay-Z

On the eve of his upcoming collaboration album with Metro Boomin Savage Mode 2, 21 Savage sat down for a lengthy conversation with DJ Scream and Big Bank’s Big Facts, whereupon a variety of different topics were covered. One such topic included his experience with ICE, which found him facing threats of deportation that continue to plague him to this day. Yet even during those dark times, 21 was met with an outpouring of support from his fellow rappers, including Jay-Z, who appears to have left a lasting impression on the young artist after helping deal with his ICE-related legal fees

21 Savage

 Noam Galai/Getty Images

“When I got out, I pulled up on Jay-Z at his house and shit,” he reveals, following up on his harrowing ICE experience. “Him and Beyonce was in there. And we was kicking it. He a regular n***a. I just was thanking him. When I first got out I texted him like, I’ma pay you back. He was like, I don’t want your money, pay me back by being great. So I pulled up on him, chopped it up thanked him and shit, cause he ain’t have to do that.”

“When I got out I really started to see all the love, like damn, that’s crazy,” he continues. “And I noticed all the fake love too, all the n***as who didn’t show love. So if you wondering why I’ve been stiff on you since I got out, it’s cause you a bitch, and you did not say ‘free me!’” 

Check out the clip below, and keep an eye out for 21 Savage and Metro Boomin’s Savage Mode 2, which lands in full tonight complete with a nostalgic Pen & Pixel designed album cover. What are the chances the project features an appearance from Hov?

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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