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Luke Panayiotou crafts intimacy and discovers love and purpose on “Am I In Love Again?” EP

Luke Panayiotou

“Am I In Love Again?” by Luke Panayiotou arrives as a quiet confession after years of silence, an intimate, self-made EP that’s his first release after a five-year hiatus, and it sounds so honest. This 3-song, 12-minute project is a reintroduction, and everything was written, performed, and arranged by the artist.

And since the EP combines acoustic, folk, rock, and ambient singer-songwriter sounds, it has a natural, personal feel. The recording was done at Oscillate Recording Studios in Knutsford/ Manchester with a warmth that allows Panayiotou’s vocals to shine through. The most emotional song on the EP is the title track, “Am I in Love Again.” It quietly examines falling back in love, the short bursts of overwhelming emotion that help you remember why you fell for someone in the first place.

“Back Around” tells a more contemplative story of perseverance. It’s about setbacks and the quiet resolve to continue, even when it feels like you’re on the verge of success. “Wherever I Go” is a triumphant end to the EP. Its upbeat, unifying energy celebrates connection, romantic, platonic, or otherwise. It accomplishes this by casting loyalty and presence in a more favorable light.

Panayiotou defines every aspect of “Am I In Love Again?,” from the songs to the cover art. This lends the work a cohesive artistic vision that feels both personal and enveloping. This EP shows that sometimes you need to take a step back to step forward with clarity and purpose.

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A seasoned music writer at Honk Magazine, covering new releases and artist spotlights with a focus on blending insight with captivating storytelling, helping readers connect deeply with the music and the artists behind it.

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Artist Spotlight

“Sing-Along Songs (Album Version)” finds new energy for Arn-Identified Flying Objects and Alien Friends

Arn-Identified Flying Objects and Alien Friends

Arn-Identified Flying Objects And Alien Friends returns to “Sing-Along Songs (Album Version),” with an album version more consistent with the track’s original creative vision. The song came out in 2024 and featured an unusual mix of upbeat music and ironic lyrics that contextualized dark times.

This new version keeps that distinction but makes the arrangement a little spikier, punkier, and more playful. It blends indie pop and pop punk, fusing punk and power pop with a dash of folk rock. The more upbeat music works especially well against the darker outlook at the heart of the writing, creating a tension that keeps the track interesting rather than too serious.

The most obvious change is the intro, which now feels more in line with the original direction the song was meant to take. Co-producer David Myhr’s background vocals add some lift to the second and third choruses. Another key revision is the updated production.

The different parts of the track have more room to play off each other, with a stronger cohesive overall presentation and a more consistent, clear mix from beginning to end. “Sing-Along Songs (Album Version)” feels like a deliberate refinement, and Arn-Identified Flying Objects and Alien Friends take the new version and grind the song’s contrasting moods for a more polished, playful take on an already upbeat tune.

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Artist Spotlight

TaniA Kyllikki creates a powerful message of equality through “HUMAN”

TaniA Kyllikki

You might not think a Facebook post could turn into a song, but for TaniA Kyllikki, “HUMAN” is a creative process that turns a moment of frustration into a thoughtful musical statement. This house/techno track explores race, difference, judgment, equality, compassion, and the labels people put on each other. Its artistic direction leans toward empathy, humility, love, and the shared humanity beneath those differences, rather than division.

The song was inspired by Kyllikki’s reaction to the hostility she saw online toward people of different races, cultures, and backgrounds. Kyllikki and her husband, producer and multi-instrumentalist Rynellton (Garry D. Hairston), chose music to express compassion and provoke thought, rather than meet hostility with more of the same.

Kyllikki gives a personal songwriting perspective, and producer/multi-instrumentalist Rynellton helps to translate the original words into a techno-house setting. “HUMAN” strikes a cool creative balance, blending dance-oriented genres with a serious topic and letting its message fit into a modern electronic structure rather than a simple statement.

This song began as words on the net, became Kyllikki, and turned into lyrics that had to be set to music. “HUMAN” is a testimony to TaniA Kyllikki’s ability to take an unsettling observation and turn it into a creative expression of connection. That defining quality is the choice to respond to division with music, a release that is both a reflection of its origins and a continuation of the artist’s expressive path.

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