Album Review
With “The Rhythm of Mandolay” album, Eye Travel finds beauty in the space between memory, melodies, and moments
With “The Rhythm of Mandolay,” Gothenburg singer-songwriter Christoffer Andersson, known from his musical project Eye Travel, reveals a deeply personal world. It is an 11-track album forged in time, reflection, and creative discovery and a crossroads between past and present.
The project was recorded with Charles Storm at the Cloudchamber studio on the island of Hisingen, and it turns individual songs into a linked collection where raw emotion, acoustic beauty, and vintage influences coexist. The album kicks off with “Holly,” a dramatic opener built on an Omnichord foundation and expressive vocals that have a theatrical quality. Next up is “Birdsong,” a more delicate affair with breezy melodies that recall the charms of 90’s pop.
For “Verona,” Eye Travel strips everything back and creates an intimate acoustic moment that captures feelings of distance and quiet longing. “Going Under” takes a different direction, using heavy Moog bass and lush string and flute arrangements to create a boisterous, vintage-inspired sound with lots of movement. Meanwhile, “This Planet” takes a bright, catchy pop approach that brings a playful energy, and “Beech Street” is a warm, reflective acoustic folk-pop memory trip.
“Castle” slows the pace to a gentle European folk feel, establishing an intimate, personal atmosphere. “Scientia” is a nicely placed instrumental lullaby that helps the album flow, and “Surface” is a quick but poignant glimpse of a fleeting feeling. “Pauline” is one of the album’s most powerful moments, a grand, emotional performance that captures its drama.
The last song on the album, “Comforting Hell,” leaves a bittersweet taste, exploring the tricky places where sadness and comfort can coexist. “The Rhythm of Mandolay” is an album carefully constructed on the rhythm of contrast. Eye Travel delivers a timeless record that is so very human, drawing on vintage influences, acoustic storytelling, and emotional honesty.
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Album Review
Tangent return with “Disclosure,” a dark electronic journey through truth and uncertainty [album]
Dutch electronic duo Tangent returns after a 3-year hiatus with “Disclosure,” their 7th album, released today via n5MD. The album draws on ambient, electronic, and IDM sounds, revisiting the shadowy, dystopian atmosphere that has long defined the duo’s musical identity.
“Disclosure” references these themes: things long hidden, inner conflict, doubt, and facing what’s been kept out of sight for a long time, after a hard time and a long hiatus. Tangent creates a world where darkness and hope can live together across seven tracks.
The opening title track, “Disclosure,” sets the tone, tracing the slow arrival of uncomfortable truths. At its heart, the idea moves from creepy tension to a darker, heavier reality, with a growing sense of discomfort. “Absence of Force” explores the resistance of silence and the search for your voice through control and emotional control.
The next track, “Unfound Existence,” is introspective and concerns the search for identity and self-understanding. Its theme of entering uncharted personal or creative territory adds a further dimension to the album’s rumination on change and uncertainty.
“Denial” explores internal conflict in the face of difficult realities. The track explores the gap between what people know and what they are prepared to accept. “Vector of Acceleration” suggests a more primitive existential horror, the sense that things are slipping out of our control. Another way to look at this tension is “Sonoluminescence,” a track about hope, survival, and seeing the light after the dark. It’s an emotional breath of fresh air in the album’s dark world.
“Opposing Forces“ is the album’s closing track, and it leaves you with a feeling of tension and unresolvedness. It captures the eternal struggle between hope, darkness, and change, without a clear answer. Tangent is back in the sound with “Disclosure,” and each song approaches that territory from a different angle, creating a connected journey through hard truths, personal discovery, fear, and the possibility of moving forward. The album invites you to sit with the questions.
Album Review
From heartbreak to hope, Sacha Mullin maps the human experience on “Social Touch” [album]
Produced by William Parker Wood, Sacha Mullin’s fourth solo album, “Social Touch,” was released on Dipterid Records. The record blends eclectic influences, pop-forward sounds, emotionally driven songwriting, and unique vocals to explore the complex feelings that define human relationships.
Across 10 tracks, Mullin explores love, conflict, isolation, grief, and hope to craft a collection that reflects how people relate, grapple with understanding each other, and seek comfort. “Social Touch” explores the openness, frustration, and growth that come with opening yourself up to someone else.
The album opens with “Joy,” a song about the comfort and openness of finally being close to the one you love. That sense of connection bleeds into the tender emotional space of “Don’t Wanna Hurt U,” a song about boundaries and trying not to hurt a partner’s feelings. “Hypocenter” feels like a relationship at the breaking point, capturing the moment built-up tension erupts into conflict.
On “Bed All Day,” Mullin is introspective, dealing with burnout, loneliness, and the anxiety of even saying out loud that love is in the picture. In “Mime,” the theme of difficult relationships returns, but with a focus on silence, poor communication, and the frustration of not being heard.
The album’s title track, “Social Touch,” is central to the album and touches on the need for physical contact in an increasingly digital world. It captures the album’s larger themes and prompts you to question the value of genuine human interaction. “Tears Into Platinum” offers a fresh perspective on how creativity and resilience can give meaning to grief and pain, while “Odd Radio Circle” explores the mind’s odd movement, the chaos within that can make it hard to work through your own thoughts.
The final two tracks are a welcome change of pace. “Let’s Cruise!” is groove, freedom, and forward movement, an escape from emotional heaviness and getting stuck in difficult feelings. The album closes with “Tall Ask,” a song that celebrates emotional openness, warmth, and hope for a more daring future.
“Social Touch” is a tenfold perspective of personal reflection and attainable pop songwriting. The album explores intimacy, inner struggle, and moments of brighter release. This album gives you a chance to reflect on your relationships and discover new shades of feeling.
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