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The Break Presents: Bankrol Hayden

Becoming a successful artist is difficult, and even more so when you have to face personal tragedy. Enter Modesto, Calif. rapper Bankrol Hayden, who faced a near-death experience before entering the rap game.

Rapping since he was an eighth grader, Hayden dropped his first song at 13 (“Modesto”) and kept working hard. Then in 2017, at 16 years old, Hayden nearly lost his life in a car accident in his hometown. The rapper was a in the backseat of a car when his friend crashed while under the influence of weed. The 16-year-old girl who was driving the car was charged with the murder of a mother and daughter in the other vehicle. The accident left Hayden badly injured, including a broken back, broken ribs and an injury to his small intestine.

Turning a tragedy into triumph, Hayden hit the studio in 2018, and recorded “29,” the title inspired by the date of the crash, Nov. 29, 2017. Though his injuries still hadn’t fully healed, Hayden dropped the song about the incident and started to experience real momentum. The song has 20 million Spotify streams and 7 million SoundCloud plays to date. “We was drivin’ hella fast, I woke up seeing nurses/Happened in a second, mind spinnin’ like a circus nigga/I’m in the back seat, how the fuck it’s my fault?/November 29th, almost died up on that asphalt,” he raps over a piano-driven beat.

Hayden’s true breakout song came out in 2019. “Brothers,” a Luh Kel-assisted track, finds the West Coast rhymer rapping about putting friends over the women that may come between that brotherhood. The subject matter, Hayden’s catchy chorus and sing-song delivery got him tons of streams, over 60 million on Spotify. “Costa Rica” came in 2020, and it’s moving even faster than “Brothers,” amassing 65 million plays on Spotify in considerably less time. He even teamed up with The Kid Laroi on the remix.

With a growing buzz, Hayden dropped his debut project, Pain Is Temporary, last Friday, and he is seeing better days. He’s grasping success after such a traumatic experience. Learn more about Bankrol Hayden in this week’s edition of The Break.

Age: 18

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Hometown: Modesto, Calif.

I grew up listening to: “Kid Cudi was a big inspiration for me on music, and I used to go to record stores, and we would just rap on instrumentals and shit, but Kid Cudi was really who inspired me with my music, and still to this day that I’m here. His melodies, really how he talks about situations in real life and shit inspired me to do shit like that.”

My style’s been compared to: “[People say I look like] Lil Mosey, but when I went on tour with him, it ended all that. We can be locked in, and you feel me? But people who used to say that a lot, really him and then that’s pretty much it. I don’t really look like much artists.”

I’m going to blow up because: “Just, as an artist, it’s hard to always believe in yourself, but you got to, it’s just something that you have to be. As a rapper, you got to always believe that, and that’s something that I believe in strong, that I’m going to blow up, and yeah, just my music. I feel I’m coming different.”

What’s your most slept-on song, and why?: “Maybe ’29’ a little slept-on now, as time goes on and people forget about it and hear ‘Costa Rica’ and ‘Brothers’; but at the time I don’t really got a slept-on record, because I don’t got much records out, but when the project’s out, we’ll be able to tell. I feel like there’s a lot of slept-on records on the project that’s going to be fire, too, there’s a record called ‘School Girl,’ and I feel like a lot of people are going to connect to that could be a slept on record, in a good way.”

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My standout records to date have been: “‘Costa Rica’ could go gold faster than ‘Brothers,’ it’s crazy. It’s picking up more speed every day. ‘Costa Rica’ is really big right now, and did amazing. We didn’t even think it was going to do that good. ‘Brothers’ is doing amazing, and same thing.”

My standout moments to date have been: “Being able to give back to my city was big for me, that’s something that I always wanted to do as a kid. Just being really, or getting just money off music was crazy, bro. Never thinking that. I was just in Malibu for the week, and I woke up and I just looked out the window, and I was playing my old, one of my first songs on YouTube, and I was just like, “Bro, that shit was so bad, how am I here?” So I don’t know, really, it’s all new.”

Most people don’t know: “I used to skateboard when I was little. That’s something I would be doing, but I don’t do it that much no more, and ever since I got hurt from the car crash, I can’t do too much. I don’t want to … Because my back and everything is still healing and messed up a little bit, so I can’t be wilding out like that.”

I’m going to be the next: “I’m going to be a superstar. When we met with a lot of the labels, that’s what I was trying to say, and to be a superstar, you going to have to do a lot of stuff. That’s why I’m putting out so much types of music.”

Follow Bankrol Hayden on SoundCloud and Instagram.

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Standouts:

“Brothers” featuring Luh Kel

“Costa Rica”

“Whatchu On Today” featuring Polo G

Pain Is Temporary

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UK Supreme Court Defines ‘Woman’ and ‘Sex’ as Biological in Landmark 2025 Ruling

UK Supreme Court

On April 16, 2025, the UK Supreme Court ruled unanimously and definitively that, in the context of the Equality Act 2010, the terms “woman” and “sex” exclusively mean biological sex. This landmark decision will affect gender-based rights and protections across England, Wales, and Northern Ireland. The case was brought by the feminist pressure group For Women Scotland regarding the Scottish government’s understanding of the Gender Representation on Public Boards (Scotland) Act 2018. The law was intended to create gender balance on public sector boards by defining transgender women, those born male but who had legally changed genders, as being “women” under the law.

For Women Scotland argued that this interpretation exceeded the Scottish Parliament’s legislative competence and was inconsistent with the Equality Act 2010. They said the definition of “woman” should be based on biological sex to protect the integrity of single-sex spaces and services. The Supreme Court decision confirmed that for the Equality Act, “woman” and “sex” relate to biological sex. So, under this particular legislation, when it comes to people who have transitioned and gained a Gender Recognition Certificate (GRC), they are not legally recognised as women.

The court stressed that while the protected characteristic of gender reassignment covered transgender people, the 2010 definition of “sex” in the Equality Act is “still based on biology.” This distinction is critical in single-sex exemptions, such as women-only shelters, sports teams and hospital wards. The ruling carries significant implications for interpreting and applying equality laws in the UK. By specifying that “sex” refers to biological sex, the verdict gives a legal basis to organizations and institutions that have adopted single-sex spaces and services.

Check out this article: Is Rihanna Secretly Shooting a Music Video in Paris?

Supporters of the ruling, such as For Women Scotland, maintain that it strengthens the rights and protections of biological women, guaranteeing that places meant for women are restricted to those born female. They cite this clarity as necessary for protecting privacy, safety, and fairness. On the other hand, groups advocating for transgender rights believe the ruling could bring worse treatment and exclusion of transgender people from facilities and services that match their gender identity. The decision drew condemnation from groups like Amnesty International, which called it a blow against the rights and dignity of transgender people.

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The UK government later issued a statement welcoming the ruling, arguing it would help defend the importance of single-sex spaces. The ruling continues the government’s previous position that biological sex has legal significance in some pornography law contexts. In Scotland, the measure is a blow to the Scottish government’s plans to legislate for gender inclusivity. The ruling highlights the extent of devolved powers when challenged in light of UK-wide equality desires.

Responses from public figures and advocacy groups are divided. J.K. Rowling, the author of the Harry Potter series, is a staunch voice against such a narrative and has already endorsed For Women Scotland calls in the past. In parallel, LGBTQ+ and allied advocacy groups strive for the inclusion of policies that may permit and reflect gender identity in legal constructs. The decision of the Supreme Court establishes an approach that other legislation and policies on gender/sex in the UK are likely to be influenced by. It highlights a longstanding tension between biological definitions of sex and the recognition of gender identity in law. The challenges posed by such an opinion only point to societal divisions as we try to understand and grapple with the rights (or crimes) of those who may not identify with conventional labels.

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Dortmund vs Barcelona, a 2025 Champions League Clash to Remember

Dortmund vs Barcelona

The UEFA Champions League quarter-final clash between Borussia Dortmund and FC Barcelona in April 2025 was one for the ages: a dazzling contest that epitomized the unpredictability and thrill of European football. Still, a plucky showing from Dortmund at home in the second leg meant that Barcelona emerged with a place in the semifinals, and a first appearance in the last four in six years.

Barcelona’s temporary home, the Estadi Olímpic Lluís Companys, hosted the first leg, in which the Catalan giants were dominant. With the ring of Hansi Flick, Barcelona created a 4-0 win, effectively setting the tone for the tie. Prolific in attack and rock tight at the back, the onus was on Dortmund to right the ship before returning to Germany for the second leg.

Dortmund THUMB the second leg at SIGNAL IDUNA PARK, a team led by Niko Kovač, showed more resilience and drove the opposing side under pressure. Serhou Guirassy was key, netting two goals to provide the home team hope. Barcelona were briefly back in it after an own goal by Ramy Bensebaini, but Guirassy’s second restored Dortmund’s hopes. Although they won the match 3-1, the aggregate result was a 5-3 defeat for Dortmund, eliminating the Bundesliga side from the Champions League.

Barcelona, who have not reached the last four since 2019, made their mark with a significant milestone in progressing to the semi-finals. A combination of seasoned professionals and new stars has been key in their European adventure. Hansi Flick’s tactical savvy has breathed new life into the squad, inspiring belief and a winning mindset.

Dortmund, while out, put up a spirited showing in the second leg. The squad’s attacking intent and tactical changes hinted at their potential. But players like Guirassy were putting their talents on display at the highest level, instilling optimism about what lies ahead for the club in European competition.

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Key Takeaways

Aggregate Score: Barca 5-3 Dortmund

First Leg: Barcelona 4, Dortmund 0

Second leg: Dortmund 3-1 Barcelona

Top Performers: Serhou Guirassy (Dortmund), Hansi Flick (Barcelona Manager)

Importance: Barcelona is reaching its first semi-final since 2019

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Dramatic and exciting, the 2025 Champions League quarter-final tie between Dortmund and Barcelona was typical of the tournament, and how it never fails to deliver on drama and edge-of-the-seat entertainment. Barcelona is marching on with dreams of European glory, and Dortmund is departing with their heads held high after showing character and quality.

Please let me know if you enjoyed reading this article in the comments below. We want to hear YOUR thoughts on this mammoth Champions League clash!

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