Entertainment
New Audio From Breonna Taylor Shooting Raises Conflicting Stories
Those protesting across the world for justice in the police shooting of Breonna Taylor have truly made their voices heard in the four months since she was killed in her home during a no-knock search warrant. Now, the release of new audio tapes from the internal investigation provide conflicting reports from Taylor’s boyfriend and the officer who he shot as Louisville PD broke down their door, adding even more confusion to the whole ordeal.

Image: Patrick Smith/Getty Images
CNN reports that the new tapes feature interviews with Kenneth Walker, Breonna’s boyfriend who was present on the night of the shooting, and Sgt. Jon Mattingly, the first officer to enter the apartment and be injured by the gunshot that sparked the police gunfire which killed Taylor. The main conflict is whether or not the police properly identified themselves before breaking down the door, which Walker claims didn’t happen and as a result made him fire in self defense of what he thought was a burglary. Mattingly says otherwise, claiming he and his officers knocked multiple times with no response.
Here’s how CNN breaks down Sgt. Jon Mattingly’s recollection of the night Breonna Taylor was shot and killed:
The tapes also include an interview with Mattingly, conducted on March 25, nine days after his release from the hospital. Mattingly was interviewed with an attorney present.In the interview, Mattingly maintains that officers identified themselves repeatedly before breaking down Taylor’s door.Though the narcotics warrant that police say they were serving at Taylor’s door was a so-called no-knock warrant, Mattingly told investigators the officers were instructed to knock on the door.Recounting the pre-operational briefing for the warrant at the recommendation of his attorney, Mattingly said, “I verbally heard, ‘We have it signed as a no-knock, but we’re not going to go that route.’”Neither Mattingly nor Walker deny that the police officers banged on the door. Mattingly, however, told investigators that police repeatedly knocked on the door and announced their presence.“I probably banged on the door six or seven different time periods,” Mattingly was recorded telling investigators. “Seems like an eternity when you’re up at a doorway. It probably lasted between 45 seconds and a minute,” he said.“We banged on it, no response,” Mattingly said. “Banged on it again, no response. At that point we started announcing ourselves: ‘Police! Please come to the door! Police! We have a search warrant!’”
Walker agrees that the multiple knocks did happen, however neither he nor Taylor heard a response after repeatedly asking “Who is it?” As they approached the door, he says it came “off the hinges” leading him to shoot in defense. Sadly, only he would live to recount their side of the story.
We’ll continue to keep you all updated as we demand justice for Breonna Taylor along with the rest of the Black Lives Matter movement.
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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