Connect with us

Story

Joe Rogan Responds To Spotify Employees Over Censorship Rumors

TheJoe Rogan Experience, hosted by UFC commentator and stand-up comedian, Joe Rogan, is one of Spotify’s latest headline-grabbing acquisitions. Although, in this case, public interest goes beyond the sheer business move. 

After Spotify announced its decision to obtain the exclusive licensing rights to the podcast, its employees expressed a desire for “direct editorial oversight” that would enable the company to patently false or problematic messaging would not be shared without context from reliable sources accompanying it. 

This comes after Rogan has held such controversial guests on his show, such as far-right conspiracy theorist Alex Jones, and author of IRREVERSIBLE DAMAGE: The Transgender Craze Seducing Our Daughters, Abigail Shrier. 

Despite the criticisms against him, Rogan says Spotify has said nothing directly to him on the matter. While talking to Tim Dillon in his latest episode Rogan reveals,

“Spotify has said nothing. Listen to me. Nothing. They haven’t said anything to my manager. They haven’t said anything to me. They’ve said nothing.” 

He continued, defending his position on the trans community, “Now, is there someone at Spotify that’s complaining about the Abigail Shrier episode? I’m sure, I’m sure there’s someone that’s complaining about it. Is it a transphobic episode? It’s not. They’re wrong. They’re not. It’s nothing to do with that. It has to do with the fact that human beings are actually malleable. We all know that. That’s why cults exist.”

Advertisement

Rogan’s guest (as well as friend and political satirist), Tim Dillon, sided with the host in insinuating that the argument against him was made in bad faith.

Rogan emphasized, “But that, that is what people do when they’re trying to discredit someone and it’s, what they’re doing is they’re— they’re, they’re not being honest. It’s not an honest take. It’s not a real honest take on who a human being is. It’s a denial of nuance. It’s a denial of all the complexities that make a human being.”

He continued elsewhere to ask Spotify to turn the mirror back on themselves, citing the fact that Spotify itself is a platform hosting a plethora of music, in some of which the lyrics may be questionable.

“Look, people are so malleable, they’re so easily influenced, and for us to deny that doesn’t do anybody any good, doesn’t do anybody any service. So this is the main issue they had with that, you know. This is the, apparently, this is the main problem they had with this one particular episode [with Abigail Shrier] and I’m sure they’ve had issues with other episodes as well, but like I’ve said before: I’m talking off the top of my head, and a lot of times, I’m saying shit  I don’t even mean, because I’m saying it because this is a fucking podcast. And if you have a problem with people saying terrible shit and you work for Spotify, maybe you should listen to some of the lyrics. Ok? Because some of the lyrics in some of the fuckin music you guys play over and over and over again makes my shit pale in comparison. Pale. If you’re listening to some rap music right now— I’m not anti-rap, I love rap music. I’m– I’m fucking saying, go back and listen to NWA. Go back and listen to some of the early shit. Like go back and listen to Ice-T, “Cop Killer” From the Body Count days. Whew.”

Of course, Rogan is also an a fan of hip-hop, as he was sure to follow up that statement with the caveat of such, and concluded, “[Rap] is a, a type of art, and talking shit is also a type of art. You might not like that type of art because sometimes it seems too much like a real statement, and sometimes it is a real statement and sometimes it’s just talking shit.”

Check out the full episode below.

Advertisement
Advertisement

Story

François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

Advertisement

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud

Continue Reading

Story

RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

Advertisement

Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok

Continue Reading

Video Of The Week

Trending