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Ice Cube Discusses His “Contract With Black America” On “Red Table Talk”

Throughout his longstanding career, Ice Cube has used his platform to bring attention to issues prevalent to the Black community. Cube has used his lyrics, and now social media, to take a stance against and to advocate for certain political ideals, and some of his recent messages have stirred up controversy. The support of Minister Louis Farrakhan has caused Ice Cube to face accusations of anti-Semitism, while some of his tweets have fans labeling him as a political conspiracy theorist. In order to clear the air about his statements, Ice Cube visited Red Table Talk.

Ice Cube, Red Table Talk, Black America, Voting, Politics
Tibrina Hobson / Stringer / Getty Images

Political commentator and CEO of REFORM Alliance Van Jones, NFL star Brandon Marshall, and Ice Cube join the virtual episode of Red Table Talk where they discussed what’s unraveled in the culture throughout 2020 as well as what is to come in the voting season. Recently, Ice Cube revealed his “Contract for Black America” plan and on tomorrow’s’ (October 6) episode, the rapper is asked about that incentive.

“[When] I seen that with George Floyd, it kind of shook me to my core. Seeing a man face down on the ground like that with this White officer looking into the camera just taking a Black man’s life,” said Cube. “Having a man scream for his mama, it just reminded me of stories I heard of when a slave would get out of line and they would pull everybody around to show the discipline and made everybody watch to live that horror.”

Ice Cube said after that, he canceled his plans and appearances. “I couldn’t take it no more,” he added. “I was so mad and so hurt, but then I was like, something needs to be done.” Check out a snippet of the episode and make sure to tune into Red Table Talk tomorrow at 9a PST/12p EST on Facebook Watch.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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