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Benny The Butcher Shares “Burden Of Proof” Tracklist

Griselda’s dominant run at the top continues this week with Benny The Butcher’s upcoming Hit-Boy-produced album Burden Of Proof, which drops on Friday.

The label has prided itself on a barrage of releases in 2020. Despite them releasing so much new music this year, the Buffalo-based collective has also come through with some of the best drops, combining quality with quantity. 

We’re fresh off the release of Westside Gunn’s new album Who Made The Sunshine, and we’re still keeping Conway The Machine’s From King To A God on repeat, but Benny The Butcher is ready to take over with what he considers the most-anticipated album of the year.

“One day they doubt you and the next day you got The Most Anticipated album of 2020,” wrote Benny on social media, revealing the tracklist for Burden Of Proof.

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Unfortunately for some fans that have been looking forward to the heavily-teased song from Benny and Drake, that does not appear to be included on this one but there’s plenty of other tracks dropping that may pique your interest. Features include Lil Wayne, Rick Ross, Freddie Gibbs, Big Sean, Westside Gunn, Conway The Machine, and more. Production was handled by Hit-Boy, who continues his historic run.

This one has us excited for the end of the week. Will you be tuning in?

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

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RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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Kieran James Honors Memory with “Part of the Grind”

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Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.

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