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40 Explains Why “The Calm” Is His Favorite Drake Song

Noah “40” Shebib recently took a break from cooking up with Drake for Certified Lover Boy to chop it up with Kevin Durant and co-host Eddie Gonzalez on The ETCs podcast. While the conversation is wide-ranging, one of the most interesting moments arrives near the end, when Kevin Durant asks what he deems to be an “unanswerable question” — what is 40’s favorite Drake song of all time?
40 Shebib

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After a bit of encouragement from the host, 40 declares that “Resistance” is “up there.” “‘The Calm’ is one of them for me, because of those bars,” continues 40. “Those bars in ‘The Calm’ about his mom, and fighting with his mom, and his uncle on the phone. You guys gotta understand, when we made that song, I was living on Fort York, which was a big condo in downtown Toronto they had just built…That’s where me and Drake first linked up and started making So Far Gone.”

“Drake was coming to the apartment all the time to work on records with me outta my bedroom where I had my little set-up,” he continues. “That’s where we formed October’s Very Own, and that’s where everything began, out of that apartment. That night, Drake came over to the crib, and he shows up with a couple bottles of liquor, a bottle of champagne. He just got there, and his phone is ringing, some shit is going down. He goes out on the balcony and starts cussing. He’s out there for like, half an hour. And it’s getting heated. He’s talking to his uncle, in a big fight with his uncle.”

“There’s screaming and yelling, and he comes back in and he’s just rattled,” reflects 40. “He’s livid, he’s steaming mad. And he’s like yo, put that beat on. And he walks up to the mic and bodies that record. And like, that experience of seeing him be so triggered by that conversation and then spit those bars, and then seeing the way people react to that song — how heart-wrenching that was, how much you felt what he was saying, that was so real. That really happened in that moment. So for me listening to that song is pretty important to me. It also defined me as a producer, as far as that sparseness and being very different and very emotional in a time where motherfuckers were making big booming, slapping records.”

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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