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Drake Rapped From The Heart On “The Calm”
Following 40’s epic reveal of the emotionally-charged backstory surrounding “The Calm,” a track he still considers his favorite Drake song, it feels appropriate to highlight the So Far Gone classic on this Throwback Thursday. For those curious, the producer recently spoke to Kevin Durant about his experience making the song, which took place following a heated fight between Drizzy and his uncle. With tension running high, Drake proceeded to queue the beat and “body the record,” by 40’s own telling.
Upon revisiting “The Calm,” the emotion brimming beneath Drake’s voice is evident in the opening lines. “Dedicated to my mom and I swear my word is bond,” he raps, bringing his first verse to a close. “Everything will be okay and it won’t even take that long / you can see it in my face or even read it on my palm.” As the song continues, Drake reflects on his then-strained relationship with his father, sharing a few poignant bars about the complicated dynamic. “My dad called and got me feeling guilty and ashamed / like, how I had a Rolls and I went and got a Range,” reflects Drizzy. “And he paying for his cigarettes with dollars and some change.”
A powerful indication of Drake’s lyrical capabilities, and one that arrived rather early into his career — seeing how everything has since played it, one has to wonder whether or not “The Calm” played a major role in shaping his trajectory. It clearly left one hell of an impression on 40. What about you?
QUOTABLE LYRICS
Hoping Western Union doing currency exchange
Cause my dad called and got me feeling guilty and ashamed
Like, how I had a Rolls and I went and got a Range
And he paying for his cigarettes with dollars and some change
Damn, and I can only feel his pain
Cause in Memphis, Tennessee there’s only so much to attain
So I’m filling out the form at the counter once again
He say he love me, I just hope he doesn’t say that shit in vain
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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”
François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.
François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.
The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.
“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.
Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud
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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”
RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.
Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.
“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.
With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.
Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok
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