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Rapper Nuke Bizzle Accused Of Stealing $1.2 Mil In Pandemic Funds

There’s a fine line between rap and reality as artists often say their lyrics are nothing more than artistic license. However, some rappers tell on themselves in their songs, and it looks like Nuke Bizzle, real name Fontrell Antonio Baines, did just that. According to the Los Angeles Times, Baines rapped about an unemployment benefits scheme and how to get over on the government, and on Friday, he was arrested. Nuke Bizzle has been hit with federal charges pertaining to accusations that he swindled the government out of $1.2 million in COVID-19 unemployment pandemic funds.

It’s reported that Bizzle is accused of using stolen identities to help obtain pandemic unemployment relief benefits and used the money on his life of luxury in the Hollywood Hills. In the music video for his track “EDD,” Nuke Bizzle raps about the California Employment Development Department as he holds up envelopes and speaks about making his way to the bank from the money he’s acquired from the agency.

Authorities state that the rapper has been charged with access device fraud, aggravated identity theft, and interstate transportation of stolen property. If convicted of the three felonies, Bizzle could spend upwards of 22 years in prison. This isn’t the first time at Nuke Bizzle has been taken into custody on allegations of fraud. He was also reportedly arrested in Las Vegas after he was found to have “eight EDD debit cards in seven different names without the owners’ consent” along with almost $50K in cash.

This time around, Bizzle was linked to 92 differed EDD cards that were “pre-loaded with $1.2 million.” Check out his music video for “EDD” below.

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Artist Spotlight

Billy Chuck Da Goat finds his flow on new release “Vibez”

Billy Chuck Da Goat’s latest release, “Vibez,” has a laid-back, hypnotic bounce that makes it easy to listen to without ever feeling empty. It makes a place where calmness and quiet confidence come together.

“Vibez” was made on purpose, but it also sounds simple. Billy Chuck’s smooth delivery flows through the production without rushing or pushing anything. Instead, he lets the rhythm breathe, allowing people to get into the song at their own pace. This laid-back energy is the best part of the song, nothing feels forced, which is exactly what it’s trying to do.

The track changes to fit whatever you need it for, like a late-night drive, a focused workout, or a way to unwind after a long day. It has a quiet edge of confidence, it’s not loud or bragging, but it’s steady and sure of itself.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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