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Rapper Nuke Bizzle Accused Of Stealing $1.2 Mil In Pandemic Funds

There’s a fine line between rap and reality as artists often say their lyrics are nothing more than artistic license. However, some rappers tell on themselves in their songs, and it looks like Nuke Bizzle, real name Fontrell Antonio Baines, did just that. According to the Los Angeles Times, Baines rapped about an unemployment benefits scheme and how to get over on the government, and on Friday, he was arrested. Nuke Bizzle has been hit with federal charges pertaining to accusations that he swindled the government out of $1.2 million in COVID-19 unemployment pandemic funds.

It’s reported that Bizzle is accused of using stolen identities to help obtain pandemic unemployment relief benefits and used the money on his life of luxury in the Hollywood Hills. In the music video for his track “EDD,” Nuke Bizzle raps about the California Employment Development Department as he holds up envelopes and speaks about making his way to the bank from the money he’s acquired from the agency.

Authorities state that the rapper has been charged with access device fraud, aggravated identity theft, and interstate transportation of stolen property. If convicted of the three felonies, Bizzle could spend upwards of 22 years in prison. This isn’t the first time at Nuke Bizzle has been taken into custody on allegations of fraud. He was also reportedly arrested in Las Vegas after he was found to have “eight EDD debit cards in seven different names without the owners’ consent” along with almost $50K in cash. 

This time around, Bizzle was linked to 92 differed EDD cards that were “pre-loaded with $1.2 million.” Check out his music video for “EDD” below.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

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RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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Kieran James Honors Memory with “Part of the Grind”

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Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.

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