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King Von’s Sister Kayla B Flaunts Her Curves Amid Heated Feud with Asian Doll

HonkMagazine

The ongoing feud between Kayla B and Asian Doll is becoming quite intense, and Kayla is not holding back. Over the last week, the sister of late rapper King Von and his former girlfriend have been trading jabs on social media. What began as some heated tweets has quickly turned into a full blown conflict, with both women throwing personal insults at each other. It all kicked off when Asian Doll made a cutting remark about Kayla’s appearance in a tweet that went viral.

She wrote, “A girl who has to get 365 chemical peels a year to look pretty can’t make me mad,” clearly trying to provoke Kayla. However, Kayla didn’t back down. She hit back with a harsh response of her own, saying, “No girl who doesn’t know how to keep herself clean can make me mad.” But Kayla B didn’t stop at just words. She took to social media to show off her confidence by flaunting her curves, seeming completely unfazed by the online arguments. Her posts clearly conveyed that she’s strong, self-assured, and living her life without worrying about the drama.

As the exchanges continued, Kayla B also took a jab at Asian Doll’s relationship with her brother, claiming that King Von didn’t genuinely care for Asian Doll and that their relationship was more about gaining fame than real feelings. She suggested that this is something anyone familiar with Chicago guys would understand, they often use people to get what they want. In this situation, Kayla B is embracing her confidence and showing she won’t let the conflict get her down. Whether fans support her or Asian Doll, this feud is just beginning, and Kayla B is determined to stand her ground.

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Artist Spotlight

Trashy Annie Drops a Grit-Soaked Masterpiece with “Let It Kill You”

Trashy Annie

“Let It Kill You,” a 12-track rock journey by Austin’s own Trashy Annie, is now out. It captures everything bold, gritty, and unapologetically honest about modern rock. Award-winning songwriter Annie Davis leads the band. They thrive on the beautiful clash of outlaw-country storytelling and explosive hard rock energy. This new record is their most daring work yet.

“Let It Kill You” is 38 minutes and 18 seconds long, taking listeners on an emotional rollercoaster from heartbreak to redemption and chaos to clarity. It’s the sound of a band that won’t play it safe; instead, they choose to live and die by the fire of their art.

The album starts with loud guitars and vocals that cut through the noise, making it clear right away that Trashy Annie is a force in rock music. “Save Me” mixes the raw power of electric riffs with the vulnerability of soul-baring lyrics. “Some Strange” has a dark, bluesy swagger that oozes danger and desire. Then there’s “Sugar,” a sexy song that stands out because of its catchy hooks and Annie’s fierce, intoxicating voice.

Each song sounds like a page from Annie’s diary, written without fear, emotion, or editing. The band’s blend of country grit, classic rock chaos, and a modern edge makes “Let It Kill You” impossible to ignore. Trashy Annie was born during the pandemic and made in fire. She stands for the spirit of rebirth and rebellion. “Let It Kill You” is a way of life. It’s about going after your passion so hard that it could kill you, but doing it anyway because that’s what makes life real.

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Artist Spotlight

Roxy Rawson Finds Light in the Shadows with “I Found a Place in the Woods”

Roxy Rawson

Music is very sacred because it can convey both pain and peace simultaneously. Roxy Rawson‘s new single, “I Found a Place in the Woods,” does just that. This haunting, ethereal masterpiece by well-known composer Jherek Bischoff is out now on November 7th. It’s an emotional landscape made up of solitude, strength, and quiet rebirth. Roxy Rawson transforms folklore into a deeply personal story about her own journey through divorce and starting anew, inspired by the fairy tale “The Three Ravens.” The song takes you to a magical place where loss and healing meet, where grief slowly gives way to hope under the cover of old trees.

Bischoff’s production is both rich and delicate. It layers Rawson’s angelic voice over haunting strings and textures that seem to breathe with life. The song has an organic stillness to it, like being in the woods after a storm, when all you can hear is the rustling of leaves and the sound of your own heartbeat. Roxy’s voice is both weak and strong, like sunlight coming through branches after a long night. Every lyric feels like it was meant to be, and every pause makes you think. It’s the sound of finding yourself again in nature’s quiet embrace, a moment of giving up that turns into a song of survival.

Rawson doesn’t just give you a melody with “I Found a Place in the Woods.” She provides a safe place for you to go. It’s the kind of song that sticks with you long after it ends, like a memory of finding peace in the middle of chaos. This song is one of Roxy Rawson’s most personal and mighty works to date. It’s perfect for fans of ethereal storytelling, cinematic folk, and emotional honesty. It reminds us that beauty can flourish even in the face of loss, and that sometimes healing begins with simply finding a quiet place to be.

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