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Kanye West Accuses “SNL” Of Using Issa Rae: “I’m Praying For Her”

Issa Rae served as host for the newest episode of Saturday Night Live, featuring a musical performance from Justin Bieber. Many fans found themselves more intrigued by Jim Carrey’s impression of Joe Biden or Bieber’s unusual show of emotion, but one fan, in particular, took issue with Rae’s inclusion in a race-based political skit.

The sketch, entitled, “Your Voice Chicago”, made jest of the difficulties involved in seeking to support a scant pool of black candidates running for elected office.

Keenan Thompson hosts the faux daytime show in which an increasingly frustrated Rae jumps through numerous logical hoops to support questionable African-American candidates. The premise itself remained narrow until the skits very end when Thompson’s mention of Kanye West’s presidential bid sparks a response from a finally-broken Rae, “F him”.

The last-second quip implying Kanye is the exception to “Rooting for everybody black”, did not go over particularly well with the star.

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His already tenuous relationship with SNL has swayed between him serving as a musical guest, to him rapping “Fuck SNL and the whole cast. Tell ‘em Yeezy said they could kiss my whole ass.”, to his famously incoherent rant in support of Donald Trump.

Still, West reserved his criticism to the show itself, and not Rae, saying “Ive always said SNL uses black people to hold other black people back My heart goes out to Issa Rae I’m praying for her and her family I know that the twenty years of service that I’ve paid on the entertainment field has furthered our ability to be more successful.”

[via]

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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