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Black Thought Compares Kanye West’s Evolution To J. Dilla’s
Kanye’s brilliance as an artist shouldn’t be questioned, despite how questionable he might be these days. But even as he enter politics, he carries the same drive that got him the Roc A Fella chain and launched his career as a rapper after his success as a producer. In a recent interview with Stereogum, Black Thought, fresh off of the release of Streams Of Thoughts Vol. 3, detailed a few collaborations from his career including Talib Kweli’s “Guerrilla Monsoon Rap” which also features Pharoah Monch and a young Kanye West.
“He was just hungry. He was about the business of showing people his potential as an artist and what he had already in the clip,” Black Thought recounted, describing Kanye as someone who would always be hanging out in the studio. He explained that he witnessed ‘Ye’s evolution, from being someone he’d see in the studio grinding as a producer to transforming into a multi-talented artist. Thought even said ‘Ye nearly followed the exact same steps as the late J. Dilla.
“I saw him evolve from someone who was a producer of tracks to someone who was also an MC,” he continued. “I saw him follow in the footsteps of who I feel, to this day, was the greatest rapper/producer, J Dilla. J Dilla, he could sing and rap and play instruments just as well as he could program beats. I watched Kanye in real time evolve, following almost that same blueprint.”
Thought recounted hearing early versions of “Hey Mama” and “Jesus Walks” after they finished recording “Guerrilla Monsoon Rap.” He added that ‘Ye was often just sitting in the studio, soaking game. A testament to his commitment to making that full crossover from a Roc-A-Fella producer to a household name.
“It was the usual cast of characters. With me, Kweli, and Pharoahe in the lab. 88-Keys would always be around, Kanye would always be around,” Thought said. “Kanye would sometimes literally be a fly on the wall, and you could see his spongelike nature, just constantly learning and soaking up what was being said, what was being done. What I appreciate about the way he did it, was he made it his own. He was never a biter. He soaked up everything everyone did, but he put his own spin on it.”
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Pete Miller Explores Duality on “The Dazzling Kimberly”
Pete Miller’s ‘The Dazzling Kimberly’ is a profound exploration of the intricacies of human emotion and the complexity of our relationships. Through its narrative, the song delves deep into the heart of love, loss, and the paths we choose in life. The protagonist’s journey of self-reflection and contemplation, sparked by the enigmatic Kimberly, serves as a mirror to our own experiences with love and the often painful lessons that come with it.
“The Dazzling Kimberly” is a poignant song that narrates the story of two twins embroiled in conflict, who are brought together and eventually reconciled by their interactions with a mystical figure named Kimberly. This song, with its rich narrative and allusions, particularly to the biblical story of Jacob and Esau, offers a layered exploration of themes such as rivalry, redemption, and the ephemeral nature of life and relationships.
The song opens with a vivid depiction of one twin’s sense of guilt and moral ambiguity, contrasting his own cunning with his twin’s straightforward approach. This internal conflict sets the stage for the entrance of Kimberly, a figure whose very existence seems otherworldly, serving as a catalyst for change and reflection in the twins’ lives.
Kimberly, characterized by her wisdom and almost supernatural presence, challenges the narrator to reconsider his values, suggesting that victories won through cunning lack the essence of true love and fulfillment. Her influence is profound, guiding the twins towards a reconciliation that seemed impossible before her intervention.
The chorus of the song encapsulates the narrator’s deep yearning and the transformative impact Kimberly has had on his life. It questions the value of freedom and the significance of their bond, highlighting the impermanence of life through the metaphor of fading air and shifting sands.
The resolution of the twins’ conflict, prompted by Kimberly’s disappearance (or passing), symbolizes a newfound maturity and understanding. The once-contentious land becomes a symbol of their shared heritage and reconciliation, underscoring the message that love and unity are more valuable than any material possession or victory.
The allusion to Jacob and Esau provides a biblical backdrop to this tale of rivalry and reconciliation, enriching the narrative with layers of meaning and moral questioning. Just as Jacob and Esau reconcile after years of conflict, so do the twins, guided by the ethereal and loving presence of Kimberly.
The song’s melancholic yet hopeful tone captures the duality of human experience—the longing for what was and the hope for what could be. The moods and themes you’ve described, from melancholy and contemplation to love, regret, and redemption, underscore the universal struggle with fate and the desire for moral clarity and closure.
For further thematic exploration, the works of Leonard Cohen, particularly for their spiritual and existential undertones, or the poetic narratives of Bob Dylan, might resonate with the themes of “The Dazzling Kimberly.” Both artists adeptly weave complex human emotions with broader philosophical and spiritual questions, much like Pete Miller does in this song.
–Ralph Grossman
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