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Kanye West Has Spent A Fortune On His Presidential Run

Kanye West is a man of many ambitions, as anyone in the pop culture know can attest. And while he has certainly managed to thrive in some departments, namely in the realms of music and fashion, Kanye West recently made a valiant attempt to crossover into the tumultuous and downright volatile world of politics. Though he did manage to land on a few ballots here and there, it’s safe to say that Kanye’s Presidential campaign was basically a bust — one that ultimately proved rather costly, at that.

Kanye West

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According to American political journalist Ben Jacobs of the NY Mag, in September alone, Kanye West went on to spend over three million of his own dollars on his Birthday Party campaign. Jacobs also maintains that as per the FEC report West recently filed, his campaign was able to fundraise a total of $2782, broken down as follows: $1582 in unitemized contributions of under $200, and two separate itemized contributions of $1000 and $200.

Jacobs also confirms that Ye only recently (October 19th) contributed an additional $2 million dollars, an indication that he has no intention of slowing this one down anytime soon. He also clarifies that Kanye West has spent a grand total of $12 million dollars on his presidential campaign, with only a fraction having come directly from donors. “West has loaned his campaign $9.76 million and contributed $2.11 million to it,” tweets Jacob. “His campaign has raised $17,635 from donors.”

It should be noted that Kanye West has also spent millions of dollars hiring Republican consulting firms, including the Lincoln Strategy Group, to whom he now reportedly owes $193,000. In addition to this, Yeezy is also reportedly in the hole for $1.2 million to the Fortified Consulting group. Considering that Kanye is looking at virtually zero chance at securing the Presidency, it’s hard not to wince upon seeing the total numbers — even though few artists are as rich as the Yeezy billionaire, who certainly has a sizable fortune to throw around.

Check out the summary of tweets below.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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